Best Tracks of 2012: 75 – 51

Year End Coverage

* Best Albums of 2012

* Best EPs of 2012

* Best Labels of 2012

* Best Breakthrough Artists of 2012

* Best Tracks of 2012 - 101-76
* Best Tracks of 2012 - 75-51
* Best Tracks of 2012 - 50-26
* Best Tracks of 2012 - 25-1

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Here's 25 more of our favourite tracks of the year. Enjoy!

75 – Jack Sparrow – Good Old Days feat. Ruckspin

Deep Medi shows there’s still life in the old 140 horse yet, with this sultry jazz-inspired number from the Author duo.

74 – Marquis Hawkes – Sealion Woman

Tough, analogue workout accompanied by a showstopping US folk vocal-line. Something special.

73 – Bicep – Vision Of Love

Pitch-perfect piano House from the Northern Irish duo. Literally cannot be overplayed. EP Review.

72 – Jack Dixon – Find Shelter

Polished House number shows Dixon has a few real surprises up his sleeve. Detailed sounds and a strong groove make this one essential. EP Review.

71 – Helix – Honig

Proper Techno workout from one of the year’s most talented breakthroughs. Bright synth streaks and hammering beats sure to murder the dancefloor.

70 – Kuedo – Work, Live & Sleep In Collapsing Space

Destructive future-sounds from one of the scene’s most unique voices. Otherwordly sci-fi soundtracking.

69 – Disclosure – Tenderly

Infectiously bouncy Bass number courtesy of Disclosure, one of the year’s mainstream crossover successes. EP Review.

68 – Daphni – Yes I Know

Caribou’s Dan Snaith offers a soul-injected House workout under his Daphni moniker. Worth the price for the vocal sample alone. Album Review.

67 – Presk – Nobody Makes Me Do

Wonky stepper with a couple of earworm vocals and some seriously polished production skills. EP Review.

66 – u-202 – Straightjacket

Pure strangeness from the L.I.E.S. camp. Takes its time to build into a loping House roller. 

65 – Artifact – Deserted

4am stepper deal in drama with monstrous drops and moody synthwork. EP Review.

64 – Dark Sky – Shades

Epic night stomper from the Dark Sky trio. Powerful grooves and an unstoppable bass bounce. EP Review.

63 – Downliners Sekt – Trim / Tab (part one)

Beautiful dance deconstructions from a White Noise favourite. Vocals, piano chords and haunted beats are consigned to the fragmented clicks and all-consuming vinyl hiss. EP Review.

62 – XI – Squeeze

Tough percussive Garage from Toronto on Orca. Stop-start rhythms and a de-oxygenated vocal cry make this one something special. EP Review.

61 – Swindle – Mischief

140 Jazz madness from the Deep Medi camp. Totally unique, genre-defying stuff.

60 – Boddika – Acid Jackson

A red-hot slice of future Acid from the man who probably sleeps tucked up next to his 303.

59 – Airhead – Wait

A track that polarized opinions, here at White Noise we loved Airhead’s Karen O collage. Atmospheric and emotive. EP Review.

58 – Akkord – The Drums

The most atmospheric of the shadowy Manchester group’s releases so far. Fantastic vocals and rugged beat patterns. EP Review.

57 – Mosca – Eva Mendes

Unstoppable Jersey House track from one of the scene’s most dependable producers. Guaranteed to get any club moving.

56 – No Fixed Abode – Indian Street Slang

Leftfield electronic tune from our favourite of the LHF collective. Cross-cultural, cross-genre, totally brilliant. Album Review and EP Review.

55 – NY Stomp – The NY House Trak

Gerd, one of the House scene’s worst-kept secrets, put out one of the genre’s most irresistible, no-nonsense stompers this year under his NY Stomp alias. Perfectly judged vocal snips and a great synthline make this one a surefire weapon at any party.

54 – Bondax – Baby I Got That

Poppy Bass/ Disco hybrid from the impossibly young duo. If any song gave us summer in four short minutes, this was it.

53 – Last Magpie – (Who Knows) Where The Love Goes

Chilled House number that we couldn’t stop playing over the last few months. Addictive vocal, lush chords, punchy beats and a deep ambient hiss kept this one on repeat long after the summer had gone.

52 – Boddika & Joy Orbison – Swims

Ubiquitous acid number from two of the scene’s biggest stars. Superb vocal and the best cowbell solo you’ve ever heard. EP Review. (Dun Dun was a close second).

51 – Dean Blunt – track 2 feat inga copeland

The Hype Williams duo stepped out from the cloud of weed smoke for this nakedly beautiful warped-Pop track. A simple piano loop and a dusty drum machine was all that was needed to create a career highlight.

20 Best Albums of 2011

Best of 2011

EPs

Singles

Albums

With electronic production becoming ever more ubiquitous in mainstream culture and ever more experimental on the fringes of music, it’s no surprise that it dominates my list of 2011’s best albums. My favourites of this year included a good few atmospheric electronic pieces, a few dance-focused LPs and some stranger fare, but the overriding point in common is the exploration of how computers are being used to create ever more evocative and thought-provoking music.

Obviously in choosing only twenty I’m missing so many of the year’s great releases, but when reflecting on a whole musical year the factor that stands out besides innovation and skill is longevity; the year-end list is the unique spot where a reviewer can look back and say ‘Yes, that was great, but am I still listening to it? Will it stay with me beyond this year?’ If the answer to these questions is a fervent ‘yes’, then that album is on this list.

PS - The list is arranged in sets of five as I feel when you get to the very best albums of the year they appeal to different people and fulfil different criteria, so it seems pointless to separate them. Click on the album titles to see my full reviews from earlier in the year.

#20-16

SBTRKT  - SBTRKT

Wildfire

On his debut full-length, the anonymous UK producer achieved the rare feat of marrying Dance and Pop with unerring success, crafting a fun and exuberant selection of accessible tunes.

Tim Hecker – Ravedeath, 1972

The Piano Drop

The always brilliant Ambient / Drone producer released one of his very best works this year in Ravedeath, an evocative and haunting album that twists live organ recordings from an Icelandic church into a beautiful artistic statement with masterful electronic tweaking.

Peaking Lights – 936

All The Sun That Shines

Husband and wife duo Peaking Lights exceeded expectations with their blissed out LP landing somewhere between western Dub and the more experimental side of rock.

Andy Stott – Passed Me By

New Ground

With Passed Me By, Andy Stott finally broke out to a wider audience who rightly adored his unique take on House; fatigued, innovative, and utterly hypnotic.

Panda Bear – Tomboy

Surfer’s Hymn

Noah Lennox somehow met the stratospheric expectations heaped on his new LP before its release, refining his trademark sound of reverb-drenched vocals and hypnotic guitar loops into something fuller and more outward-looking.

#15-11

Sully – Carrier

2 Hearts

Sully didn’t exactly surprise me on his debut LP, delivering dark 2step tracks crafted with the same skill and care as his previous output, but just how much I still listen to these tracks is a surprise. The London feel is embedded deeply into these tunes, and each cut is a self-contained gem of paranoid dance rhythms.

Roman Flugel – Fatty Folders

How To Spread Lies

This carefully-produced LP is a masterclass tour of Techno’s many faces, straddling influences as varied as Dubstep, Kraut-rock, Minimal and Deep House, while always remaining crisp, danceable, and enchanting listen after listen.

Shabazz Palaces – Black Up

An Echo From The Hosts That Profess Infinitum

This uncompromising Hip Hop album married unusual flow and polemical subjects with some of the most challenging and innovative production I’ve ever heard on a Hip Hop album, resulting in a stunning piece that sounds like it was sent straight from the future.

Gang Gang Dance – Eye Contact

Mindkilla

Gang Gang’s staggering musical evolution continued unabated this year, and Eye Contact was business as usual from the Brooklyn band; fusing too many genres to mention to create an album of superb and enjoyable Dance Pop that not only sounds like nothing else, but also represents their most consistent release to date.

The Field – Looping State of Mind

Arpeggiated Love

This beautiful set of finely micro-edited loops showed that there’s more than enough life in Axel Willner’s formula to sustain an entire career. These hypnotic tunes are nothing short of staggering, proving yet again that no one does loops like The Field.

#10-6

Martyn – Ghost People

We Are You In The Future

Martyn’s latest was a true masterclass in Dance production, showing not only a producer bravely leaving his comfort zone (again), but a collection of varied and exciting tunes bursting with energy and atmosphere.

Tycho – Dive

Coastal Brake

A lot of artists over the last year tried to create sun-drenched Electronic tunes that mesmerise through chilled vibes and warm synths, but Tycho’s mature and detailed album Dive put them all to shame. This hypnotic and rewarding LP does its stunning cover art justice, and will stay with you long after the flames of 2011’s more immediate releases have died out.

Zomby – Dedication

A Devil Lay Here

Dedication is the most introverted and frustrating (mainly down to track length) release of Zomby’s glittering career, and it says a lot about Zomby as a producer that these facts hardly mattered. The introversion in fact worked to this album’s advantage, and six months on this collection still sounds fresh and brilliant; a moody and varied selection of dance-infused Electronic tunes.

BNJMN – Black Square

Black Square

Benjamin Thomas achieved quite a feat in releasing not one, but two superb albums in a single year. His second for Rush Hour, Black Square, was my favourite – a lush and innovative selection of beautiful Techno tunes that shift organically through an array of mesmerising sounds.

Kuedo – Severant

Scissors

Jamie Teasdale’s first solo release on leaving aggressive Dubstep duo Vex’d was an unexpected move, and all the better for it. Severant is an utterly unique LP presenting atmospheric and futuristic Electronic tunes, and by a long way one of the most engaging and innovative releases of the year.

#5-1

Shlohmo – Bad Vibes

Places

The LA-based Beats scene slowed down quite dramatically in 2011, but from the hush emerged its brightest star, in the form of young producer Henry Laufer. Exceeding the promise of his early EPs, on Bad Vibes Laufer created the ultimate chill-out album; lush and beautiful organic instrumentation combined fluidly with electronic clicks and beats. Bad Vibes achieves that rare combination of being both an easy choice for relaxation and an incredibly rewarding close listen due to the quality of these compositions, and for these reasons it’s probably my most played LP of the year.

Machinedrum – Room(s)

Now U Know Tha Deal 4 Real

Room(s) is an incredible achievement for dance veteran Travis Stewart; it somehow manages to combine almost every dance genre into an utterly brilliant full-length, traversing moods and styles with a rare ease while always maintaining the innovative details and tight production skills that keep the listener coming back for more.

Nicolas Jaar – Space Is Only Noise

I Got A Woman

Brilliant new producer Nic Jaar pulled out all the stops on his gorgeous debut album, appropriating vague influences from a huge variety of genres to create a sound entirely his own. These spacious and atmospheric compositions still sound exciting and unique almost a year after its release, and his future looks very bright.

Rustie – Glass Swords

Hover Traps

Rustie’s phenomenal debut album was surprising in so many ways; it was very distant from the producer first productions, it sounded like absolutely nothing else, but the biggest surprise was that he aimed so high on Glass Swords and track after track pulled it off with style. These tunes fuse every unfashionable genre in the book with style, creating a collection of unabashed joy, all underpinned by a display of masterful composition at its incandescent beating heart.

Balam Acab – Wander /Wonder

Apart

The young Alec Koone’s debut album is by no means the most accessible or exuberant album on this list, but for me it is easily the most beautiful. Here is an album of deeply emotive and expertly composed tracks that exists almost outside of genre; the tracks progressing like waves between enchanting synth highs and dark dubby lows, all held together by ethereal vocals to magnificent effect. The tunes on Wander / Wonder are quiet and unassuming, but given time they reveal themselves to be one of the most atmospheric and rewarding collections I’ve heard in years.

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I'm off to see Scuba and Joy O tonight, I hope everyone has a great New Year's and look forward to much more from White Noise in 2012.

Kuedo – Severant

Scissors

Truth Flood

Memory Rain

As one half of Vex’d, Jamie Teasdale (Kuedo) with his partner Roly Porter created some of the most aggressive sounds of the early 2000s, and their legacy has lived on in the changed dubstep scene they left in their wake. For any Vex’d fans, the most surprising thing about this album is its lightness; Teasdale stated that he was more of the ‘engineer’ in Vex’d rather than the ideas man, and if this is him stepping into the limelight it’s an incredibly welcome discovery. In Severant he has crafted not only something extraordinarily confident and beautiful, but one of the most unique electronic albums of the year.

The majority of Severant focuses around the merging of two distinct flavours; vintage synths that hark back to Vangelis’ Blade Runnner soundtrack and ticking, rushing percussion that contrasts with it perfectly. The skilled drum programming is shown in his grids constantly, and throughout he marries it with the at times calming, at times paranoid, but always futuristic synths with an astonishing variety of ideas and directions. The synths recall an 80s vision of what the future might be; from Whisper Fate’s tranquil melodies to Ascension Phase’s loop that constantly threatens to come out a funky chord sequence by way of Truth Flood’s intensely threatening lines, similar sounds are reconstituted in vital and riveting ways. The percussion eschews the stomping bass of today’s club scene for keen, footwork-referencing beats that taper and clatter with endlessly exciting momentum, complimenting these synth-lines wonderfully.

I don’t really want to pick apart the tracks, because most of these have to be heard and lived in to be fully appreciated. There are fantastic details to discover in every one of these compositions but it’s not necessarily the easiest first listen, and it took me a good few spins just to get my head around the overall sound. Once you do, though, Severant has so much to give. Although a great deal of these tracks are on the melancholic side of the emotive sphere, there is always a sense of warmth, nuance, and most of all freedom- three words which could hardly be less applicable to the back-catalogue of Vex’d. Although I’d recommend you just listen to the album about five times and you’ll just ‘get’ it, there are a few mind-blowing sequences. As an example, the breathless pacing of Onset (Escapism) leads into the rushing Scissors (a surprising and oblique rework of Carly Simon’s Why), which ricochets in alien directions with a power and confidence rarely heard on a debut solo album.

What makes Severant work is that Teasdale’s voice is so strong throughout, he is constantly pitching his distinctive style in different directions across the LP and he’s unerringly successful in doing so. What’s most impressive is that the sound he’s hit upon is entirely and undisputably unique; there are touchstones but they are left far behind by the ambition of this release. For example the deep grooving wobbles of Salt Lake Cuts and the twinkling ethereality of Shutter Light Girl take electronic tropes, sure, but they are revitalised into distinct and beautiful pieces. Kuedo never shirks away from taking his ideas in new directions either; Flight Path is a cold and propulsive number that is defiantly unsettling, whilst stunning closer Memory Rain is slow and pensive, leaving lost vocals to echo around the landscape. The rare use of vocals in this track and Scissors only go further in highlighting Kuedo’s remarkable skill in conjuring emotion and humanity purely by his tight compositions, an impressive feat in today’s sample-driven electronic scene.

Expectations may have run high for the return of one half of Vex’d, but in Severant Teasdale more than exceeds these. When listened to as a whole (perhaps after a settling-in period), the album is unrelentingly stunning, throwing more new ideas and precise details into every song that the average beatsmith can conjure in an entire album. If you’re looking for something cutting edge; breathlessly exciting and endlessly distinctive, look no further than Severant.

8.5/10