Boddika - Steam

Label: Swamp81

Al Green can be a very busy man, so it’s strange when he goes quiet. The artist known as Boddika (formerly one half of Instra:Mental), has recently supplemented his ace solo productions with a mammoth compilation for his Nonplus imprint as well as a slew of hotly sought-after collaborative releases with Joy Orbison. Yet it’s been almost a year since we’ve had a solo release from the acid-obsessed hardware freak, so it’s a pleasure to finally hear Steam, which easily marks the best release on Loefah’s Swamp81 imprint in over a year.

Black

Although three of these tunes have been floating around on Youtube since last year, they’re still a pleasure to hear in high-def, and have lost none of their relevance. This is because Boddika’s style is rather timeless: bass-heavy structures fed on techno and acid roots - you can tell a Boddika production from a mile off. The mixture of subtlety and grit on opener Steam perfectly typifies the Boddika sound, as tunnelling bass movements propel woodblock percussion and an ultra-clipped vocal. While not quite DJ tools, there’s always something distinctly club-focused about Boddika’s tunes, as he hones in on a particular groove and toys with it, never letting up the pace. He does one better on  second cut Heat, where a sultry female vocal adds mystique to the seething acid riff and taut atmospherics.

Heat

If there was a notable restraint to the A-side’s technoid burners, the B shows Boddika getting a little unhinged, and it’s a welcome change. Black is a deeply menacing affair, as 808 cowbells, cavernous bass hits and misted vocals call out over a squealing, all-consuming synthline. Meanwhile companion piece Crack trades in clockwork atmospherics and filtering vocals, all set over roiling basswork. Boddika’s work is always precision-built for the club, but the producer’s attention to detail and atmosphere is ever-present – the material on Steam is sure to set the dancefloor alight, as long as you can take the all-pervading darkness.

7/10

Various Artists – Think And Change

Label: Nonplus

In 2011, two compilations nimbly took the stage to explore the current state of UK bass music. Hessle Audio’s 116 and Rising and Hotflush’s Back And 4^th indulged in the delights of a nebulous scene where imagination and vision were valued just as much as the ability to make an all-out banger. Two years later, Boddika takes to his Nonplus imprint, no longer a fringe-DnB portal, to offer a fresh perspective on the scene: it’s deeper and darker, every producer fashioning their sounds in Nonplus’ trademark monochrome, yet despite frequent flashes of brilliance, seems to comment on a scene whose sound is beginning to homogenise.

For the DJs, Think And Change supplies a steady stream of involving, unconventional club tracks from a selection of huge names. Joy O turns in another typically excellent game-changer in the form of the facetiously titled Big Room Tech House DJ Tool – Tip!, where an enormous, hollow bassline echoes out over an earworm vocal and his familiar dusty, shuffling drum patterns. Further afield, Pearson Sound supplies a destructive percussive workout threaded through with quavering vocals and rebounding bass notes. Quivver has all the rhythmic complexity of his latest Clutch EP on Hessle, but with the welcome addition of a vocal hook and a showstopping second drop. Meanwhile Four Tet takes an uncharacteristically straight approach with his gorgeous For These Times, where his trademark addictive vocals and acoustic samples are suppressed by a harsh snare assault pulled off to perfection. Those listening to the digital edition will also receive four extra tracks including Boddika’s VIP of his storming Mercy collaboration with Joy Orbison, a rough assault on the senses with distorting synth accents and suffocated vocal clips.

Youtube Playlist of LP Clips

For all the style of its bangers, Think And Change perhaps impresses most with its more introspective additions to the canon. Endian’s Straight Intention is a winner, deeply atmospheric house with percussive and synth additions mutating over the slightly menacing bassline. Meanwhile Lowtec and reliable experimentalist Kassem Mosse turn out some intruiging noodles, with the former’s The Rhythm (Remix 2) offering a meditative selection of softened synthwork, while the latter turns out two of the EP’s highlights with the shimmering IP Mirrors that swings like glass shards glittering in the light, and the yet more impressive Broken Patterns where a tight techno drum progression is assailed by frayed synthwork and finely treated strings. The vinyl edition's closer comes in the form of Martyn's impressively minimal Bad Chicago, an understated finale where the devil is in the details: look out for the casual touch of reverb here, the simmering synth noodles there. Yet for all the forward-thinking music on this compilation, one of the most intriguing is also the song most rooted in Nonplus’ past, the Instra:mental and dBridge collaboration White Snares, long thought to be never see the light of day. As the only track on offer that steps out of the 120-130bpm bracket, it offers a lush piece of thoughtful, stirring atmospheric DnB that shows just how far the label has come since its inception.

The fact that the vast majority of these tracks are innovative and impressive doesn’t change the fact that they are mostly cast in the same hues and crafted with the same sound pallettes. When a few stray tracks fail, say, Boddika’s Beats Me which stagnates without any real musical progression or SCB’s predictable exercise in build-and-release Dissipate, one is reminded of just how derivative the genre can become when the producers aren’t really trying something new. At least in the bass scene’s early days the missteps were more likely to be intriguing experiments that didn’t quite work, rather than me-too operations that lack a killer ingredient.  Yet ultimately one can’t criticise Nonplus for having a darkened sound pallette, and the potential stagnation of the scene shouldn’t be transposed onto the label. Think And Change remains a stellar selection of tunes with only a few missteps, showcasing Boddika’s excellent prowess as an A&R man as well as a producer, as he drafts in a formidable selection of the scene’s best and brightest who do their best twist, challenge and reincarnate the darker fringes of the bass scene as we know it.

8.5/10

February Roundup 2013

It's been a bumper month, here's White Noise's selection of Feburary's best dance singles.

Remember to follow White Noise on Facebook and Twitter to get daily doses of great tunes, old and new.

Tracklist:

Motor City Drum Ensemble - Send A Prayer Pt. 1

Leon Vynehall - Untitled 017 [EP Review]

Kyodai - The Scene [Single Review]

Garage $ale - Bump N Grind (Waze & Odyssey Mix)

Artifact - The Way It Do [EP Review]

Benjamin Damage - 010x [Album Review]

Call Super - Threshing Floor [EP Review]

Boddika & Joy Orbison - Mercy (Boddika's VIP)

Moiré - Lose It feat. Heidi Vogel [EP Review]

Powell - A Band

A Made Up Sound - Ahead [Single Review]

KH - The Track I've Been Playing...

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And here are a few other essentials we couldn't find on Youtube:

∆ ∆ - You [EP Review]

Youandewan - Disarray [EP Review]

Spare - Spare Room Offence

Jus Now - Tun Up

Enjoy!

January Roundup 2013

As long as we’ve been into the UK dance scene, it has seemed to get better every single year. 2012 was a momentous one, where the scene began to properly diversify and the darkest shades of techno could be found rubbing shoulders with the airiest bass-pop tunes. If this list is anything to go by, we might have an even more exciting year on our hands.

Let’s get on with business then. We start with our favourite track of the month, and onwards through lush piano house, dark techno sounds all the way to the experimental edges of bass music. Here are White Noise’s top tunes for January.

Tracklist:

(Click the track to go to our review of the release)

Applebottom – All Nite [Madtech]

Chesus – Special [Local Talk]

The Phantom – Vogue Dub [Your Mama’s Friend]

Bicep - Mixxmaster 88 [Wolf]

Alex Coulton – Dance, Max [Hype Ltd]

Natan H & Amy Jean – I Know [ManMakeMusic]
Kevin McPhee - Version 5 [3024]

Elson David – God Bless  [Shades of Grey]

Waifs & Strays – I Saw Yo Girl (Full Acid Vox Edit) [Future Boogie]

Parris Mitchell – All Night Long feat. Reggie Hall [Wicked Bass]

Palace – Trust [UTTU]

Boddika – Soul What (Mickey Pearce RMX) [Swamp81]

Troy Gunner – Masks [Infinite Machine]

Synkro – Acceptance [Apollo]
Diva - Paris Stabbing [New Kanada]
Delroy Edwards - Sprk tha Dust [L.I.E.S]

Machine Drum x Sun Ra – Door Of The Cosmos [All City]

Notes:

We love Bok Bok's remix of All Night Long, but it's not on Youtube. Check it here.

Listen to the full version of Chesus' Special here.

Best Tracks of 2012: 75 – 51

Year End Coverage

* Best Albums of 2012

* Best EPs of 2012

* Best Labels of 2012

* Best Breakthrough Artists of 2012

* Best Tracks of 2012 - 101-76
* Best Tracks of 2012 - 75-51
* Best Tracks of 2012 - 50-26
* Best Tracks of 2012 - 25-1

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Here's 25 more of our favourite tracks of the year. Enjoy!

75 – Jack Sparrow – Good Old Days feat. Ruckspin

Deep Medi shows there’s still life in the old 140 horse yet, with this sultry jazz-inspired number from the Author duo.

74 – Marquis Hawkes – Sealion Woman

Tough, analogue workout accompanied by a showstopping US folk vocal-line. Something special.

73 – Bicep – Vision Of Love

Pitch-perfect piano House from the Northern Irish duo. Literally cannot be overplayed. EP Review.

72 – Jack Dixon – Find Shelter

Polished House number shows Dixon has a few real surprises up his sleeve. Detailed sounds and a strong groove make this one essential. EP Review.

71 – Helix – Honig

Proper Techno workout from one of the year’s most talented breakthroughs. Bright synth streaks and hammering beats sure to murder the dancefloor.

70 – Kuedo – Work, Live & Sleep In Collapsing Space

Destructive future-sounds from one of the scene’s most unique voices. Otherwordly sci-fi soundtracking.

69 – Disclosure – Tenderly

Infectiously bouncy Bass number courtesy of Disclosure, one of the year’s mainstream crossover successes. EP Review.

68 – Daphni – Yes I Know

Caribou’s Dan Snaith offers a soul-injected House workout under his Daphni moniker. Worth the price for the vocal sample alone. Album Review.

67 – Presk – Nobody Makes Me Do

Wonky stepper with a couple of earworm vocals and some seriously polished production skills. EP Review.

66 – u-202 – Straightjacket

Pure strangeness from the L.I.E.S. camp. Takes its time to build into a loping House roller. 

65 – Artifact – Deserted

4am stepper deal in drama with monstrous drops and moody synthwork. EP Review.

64 – Dark Sky – Shades

Epic night stomper from the Dark Sky trio. Powerful grooves and an unstoppable bass bounce. EP Review.

63 – Downliners Sekt – Trim / Tab (part one)

Beautiful dance deconstructions from a White Noise favourite. Vocals, piano chords and haunted beats are consigned to the fragmented clicks and all-consuming vinyl hiss. EP Review.

62 – XI – Squeeze

Tough percussive Garage from Toronto on Orca. Stop-start rhythms and a de-oxygenated vocal cry make this one something special. EP Review.

61 – Swindle – Mischief

140 Jazz madness from the Deep Medi camp. Totally unique, genre-defying stuff.

60 – Boddika – Acid Jackson

A red-hot slice of future Acid from the man who probably sleeps tucked up next to his 303.

59 – Airhead – Wait

A track that polarized opinions, here at White Noise we loved Airhead’s Karen O collage. Atmospheric and emotive. EP Review.

58 – Akkord – The Drums

The most atmospheric of the shadowy Manchester group’s releases so far. Fantastic vocals and rugged beat patterns. EP Review.

57 – Mosca – Eva Mendes

Unstoppable Jersey House track from one of the scene’s most dependable producers. Guaranteed to get any club moving.

56 – No Fixed Abode – Indian Street Slang

Leftfield electronic tune from our favourite of the LHF collective. Cross-cultural, cross-genre, totally brilliant. Album Review and EP Review.

55 – NY Stomp – The NY House Trak

Gerd, one of the House scene’s worst-kept secrets, put out one of the genre’s most irresistible, no-nonsense stompers this year under his NY Stomp alias. Perfectly judged vocal snips and a great synthline make this one a surefire weapon at any party.

54 – Bondax – Baby I Got That

Poppy Bass/ Disco hybrid from the impossibly young duo. If any song gave us summer in four short minutes, this was it.

53 – Last Magpie – (Who Knows) Where The Love Goes

Chilled House number that we couldn’t stop playing over the last few months. Addictive vocal, lush chords, punchy beats and a deep ambient hiss kept this one on repeat long after the summer had gone.

52 – Boddika & Joy Orbison – Swims

Ubiquitous acid number from two of the scene’s biggest stars. Superb vocal and the best cowbell solo you’ve ever heard. EP Review. (Dun Dun was a close second).

51 – Dean Blunt – track 2 feat inga copeland

The Hype Williams duo stepped out from the cloud of weed smoke for this nakedly beautiful warped-Pop track. A simple piano loop and a dusty drum machine was all that was needed to create a career highlight.