Various Artists – Think And Change

Label: Nonplus

In 2011, two compilations nimbly took the stage to explore the current state of UK bass music. Hessle Audio’s 116 and Rising and Hotflush’s Back And 4^th indulged in the delights of a nebulous scene where imagination and vision were valued just as much as the ability to make an all-out banger. Two years later, Boddika takes to his Nonplus imprint, no longer a fringe-DnB portal, to offer a fresh perspective on the scene: it’s deeper and darker, every producer fashioning their sounds in Nonplus’ trademark monochrome, yet despite frequent flashes of brilliance, seems to comment on a scene whose sound is beginning to homogenise.

For the DJs, Think And Change supplies a steady stream of involving, unconventional club tracks from a selection of huge names. Joy O turns in another typically excellent game-changer in the form of the facetiously titled Big Room Tech House DJ Tool – Tip!, where an enormous, hollow bassline echoes out over an earworm vocal and his familiar dusty, shuffling drum patterns. Further afield, Pearson Sound supplies a destructive percussive workout threaded through with quavering vocals and rebounding bass notes. Quivver has all the rhythmic complexity of his latest Clutch EP on Hessle, but with the welcome addition of a vocal hook and a showstopping second drop. Meanwhile Four Tet takes an uncharacteristically straight approach with his gorgeous For These Times, where his trademark addictive vocals and acoustic samples are suppressed by a harsh snare assault pulled off to perfection. Those listening to the digital edition will also receive four extra tracks including Boddika’s VIP of his storming Mercy collaboration with Joy Orbison, a rough assault on the senses with distorting synth accents and suffocated vocal clips.

Youtube Playlist of LP Clips

For all the style of its bangers, Think And Change perhaps impresses most with its more introspective additions to the canon. Endian’s Straight Intention is a winner, deeply atmospheric house with percussive and synth additions mutating over the slightly menacing bassline. Meanwhile Lowtec and reliable experimentalist Kassem Mosse turn out some intruiging noodles, with the former’s The Rhythm (Remix 2) offering a meditative selection of softened synthwork, while the latter turns out two of the EP’s highlights with the shimmering IP Mirrors that swings like glass shards glittering in the light, and the yet more impressive Broken Patterns where a tight techno drum progression is assailed by frayed synthwork and finely treated strings. The vinyl edition's closer comes in the form of Martyn's impressively minimal Bad Chicago, an understated finale where the devil is in the details: look out for the casual touch of reverb here, the simmering synth noodles there. Yet for all the forward-thinking music on this compilation, one of the most intriguing is also the song most rooted in Nonplus’ past, the Instra:mental and dBridge collaboration White Snares, long thought to be never see the light of day. As the only track on offer that steps out of the 120-130bpm bracket, it offers a lush piece of thoughtful, stirring atmospheric DnB that shows just how far the label has come since its inception.

The fact that the vast majority of these tracks are innovative and impressive doesn’t change the fact that they are mostly cast in the same hues and crafted with the same sound pallettes. When a few stray tracks fail, say, Boddika’s Beats Me which stagnates without any real musical progression or SCB’s predictable exercise in build-and-release Dissipate, one is reminded of just how derivative the genre can become when the producers aren’t really trying something new. At least in the bass scene’s early days the missteps were more likely to be intriguing experiments that didn’t quite work, rather than me-too operations that lack a killer ingredient.  Yet ultimately one can’t criticise Nonplus for having a darkened sound pallette, and the potential stagnation of the scene shouldn’t be transposed onto the label. Think And Change remains a stellar selection of tunes with only a few missteps, showcasing Boddika’s excellent prowess as an A&R man as well as a producer, as he drafts in a formidable selection of the scene’s best and brightest who do their best twist, challenge and reincarnate the darker fringes of the bass scene as we know it.

8.5/10

February Roundup 2013

It's been a bumper month, here's White Noise's selection of Feburary's best dance singles.

Remember to follow White Noise on Facebook and Twitter to get daily doses of great tunes, old and new.

Tracklist:

Motor City Drum Ensemble - Send A Prayer Pt. 1

Leon Vynehall - Untitled 017 [EP Review]

Kyodai - The Scene [Single Review]

Garage $ale - Bump N Grind (Waze & Odyssey Mix)

Artifact - The Way It Do [EP Review]

Benjamin Damage - 010x [Album Review]

Call Super - Threshing Floor [EP Review]

Boddika & Joy Orbison - Mercy (Boddika's VIP)

Moiré - Lose It feat. Heidi Vogel [EP Review]

Powell - A Band

A Made Up Sound - Ahead [Single Review]

KH - The Track I've Been Playing...

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And here are a few other essentials we couldn't find on Youtube:

∆ ∆ - You [EP Review]

Youandewan - Disarray [EP Review]

Spare - Spare Room Offence

Jus Now - Tun Up

Enjoy!

Best Tracks of 2012: 25-1

Year End Coverage

* Best Albums of 2012

* Best EPs of 2012

* Best Labels of 2012

* Best Breakthrough Artists of 2012

* Best Tracks of 2012 - 101-76
* Best Tracks of 2012 - 75-51
* Best Tracks of 2012 - 50-26
* Best Tracks of 2012 - 25-1

Follow White Noise on Facebook and Twitter!

After two weeks of rounding up the year, here are White Noise’s very favourite tracks of 2012. It was murder to try and arrange these great tracks into some semblance of an order, but whether you agree or disagree with the countdown, you’re sure to find a lot of music to love here, so check it out!

25 – T. Williams – Think Of You

Fusing dance music and pop sensibilities rarely comes up with an end result that pleases either fanbase. But on that rare occasion, such as this anthemic closer to Williams’ great Pain & Love EP, everything falls into place perfectly. It’s impossible to tire of Tendai’s sensuous vocals and the snappy 2step beat pattern. Calling this one ‘catchy’ would be both an understatement and the highest possible compliment. EP Review.

24 – Objekt – Cactus

Objekt said that “Cactus was never really meant to be taken seriously; it's just an irreverent bit of fun taking the piss out of wobble dubstep.” However seriously he intended it to be, the havoc this impressively detailed tune wreaked on dancefloors at the beginning of the year was the stuff of legend, and the track still sounds as great today as it did on first release. EP Review.

23 – Elgato – Luv Zombie

With only two releases to his name, both on tastemaking label Hessle Audio, Elgato’s leftfield bass excursions, defying genre tropes, have always been something to look forward to. With an earworm vocal loop and nervy atmospherics, Luv Zombie drops in its latter half into an intensely vibey number that moves the mind as much as the body.

22 – Lorca – Love Like This

The Church boys who’ve been running a great night at Corsica Studios in London entered the label game with this white label refix of Faith Evans refix from up-and-comer Lorca. Mashing those instantly recognisable vocals with Nuyorican Soul’s soaring strings, this killer House cut got more play than almost any other track at White Noise HQ this year.

21 – Jam City - …Now We Relate

The Night Slugs genius made the top of our Best Albums list, but it was on Classical Club Mixes, the dance edition of some of his album’s more propulsive cut that we found his best tune. A tune of truly epic proportions, the perfect drop just before the 5-minute mark is something that has to be heard to be believed.

20 – Joy Orbison, Pearson Sound & Boddika – Faint

This unexpected post-everything tune from an unholy trio of producers was as strange as it was brilliant. A genius vocal sample and dangerously spare percussion made this one blow up dancefloors all the way up to the mind-bending static that closes out the track.

19 – Hackman – Forgotten Notes

UK producer Ben Hackman had a fairly quiet one in 2012, but it didn’t stop him releasing this slow-mo Bass masterpiece. Great sampling and lush chords established a powerful groove as emotive as any other dance release this year.

18 – DJ Q – Brandy & Coke

DJ Q is one hell of a versatile producer, and it was hard to pick from his bassline excursions and junglist cuts. But this Brandy-sampling Garage track was unbearably fresh, as deftly produced as it was catchy. (Audio is the VIP edit, which is basically the same. Free download)

17 – GoldFFinch – Funky Steppa

One of White Noise’s favourite 2012 dicoveries was this Belgian duo, who knack for weaving unusual sounds into their deftly-produced Bass numbers resulted in this total smasher, where sirens and vocal loops played second fiddle to a superb pitch-shifting woodblock rhythm. EP Review.

16 – Julio Bashmore – Au Seve

For the second year in a row, Bristolian Bashmore’s love of bouncing basslines and catchy vocals created one of the year’s most ubiquitous dance hits. This track’s no-nonsense approach just goes to show how effective the genre can be in its simplest form.

15 – Huxley – Let It Go

Huxley’s love of big House sounds was a perfect fit in 2012, and this monster single’s unstoppable bassline and infectious vocal had us grooving right up into the new year. EP Review.

14 – Omar S Presents Aaron ‘Fit’ Siegel – Tonite (Detroit Mix) feat. L’Renee

Omar S and his FXHE label were unstoppable this year. Nowhere was this more apparent than on this powerful classic House number. Addictive piano and sax samples kept this one riding a wave of happy dancers throughout the year.

13 – Pearson Sound – Untitled

It’s been a quiet year for David Kennedy, one of the UK’s freshest producers. But that didn’t stop him from putting out this nervy slice of excellence. Twitching percussion and a showstopping descending melody made this tune stand out from the competition.

12 – Tom Demac – Critical Distance Pt. 2

Demac showed wobble done very right on this monstrous House roller. Primal cries and a loping 4/4 establishes a strong groove under that overpowering, floor-destroying bassline.

11 – Moodymann – Why Do U Feel

One of the House scene’s true legends delivered the goods on this fragmented dance track. Both modern and timeless, the souful vulnerability of this raw cut shone out over rough beats and slick vocal cuts. EP Review.

10 – Andrew Ashong – Flowers

Proof that Theo Parrish is as good at recognising talent as embodying it, his release (and production) of Andrew Ashong’s Flowers created one of the year’s most addictive slow-house jams. Chilled vibes and great acoustic instrumentation made this one of the year’s defining sunrise jams.

9 – Head High – Rave (Dirt Mix)

No one disputes Shed’s legendary status within the Berlin Techno scene. But it still somehow came as a surprise when he put out two of the year’s very best tunes on a single 12”, with the gritty B-side’s crunchy percussion just taking the edge.

8 – Nitetime – Teddy’s Jam

This dusty House number stood out for us by trading as much in melancholy as in feelgood vibes. The moody synthwork and basslines felt like House that had lost its sheen, wearied by the weight of the genre’s past. Add the phenomenal late entry of those descending piano chords, and you’ve got one of the year’s very best tunes. EP Review.

7 – Bicep & Ejeca – You

Though the Bicep duo have earned acclaim for their 90s throwback stylings, this single with Ejeca on Aus had us a lot more excited here at White Noise. Phenomenal vocal sampling and cinematic synthwork drove this propulsive bass number to instant-classic status. EP Review.

6 – Blawan – Why They Hide Their Bodies Under My Garage

This nasty Techno roller created one of the UK club circuit’s strangest sing-alongs to date. The inspired vocal (copped from The Fugees) was only the icing on the top of a raw beat pattern and billowing horror-movie effects.

5 – Todd Terje – Inspector Norse

Last year saw Nowegian disco connoisseur Terje returning to the scene with a vengeance with his Ragysh EP. In 2012 he blew that 4-tracker out of the water with Inspector Norse, an unstoppably feel-good synth bounce that built up to one hell of a climax.

4 – Anthony Naples – Mad Disrespect

The highest position for a newcomer on our list, this shuffling House number suited every occasion. Mellow enough for chilling out but punchy enough to kill on the dancefloor, this cut felt utterly timeless.

3 – Joy Orbison – Ellipsis

Another year, another phenomenal club anthem from Joy Orbison. This tune seemed almost like a mission statement for the young producer, never doing less than his ‘own thing’, Joy O rejects trendy genre stylings and goes right for the jugular. A dusty house roller with a winning vocal sample is more than good enough, but that piano loop made this one of the unfathomably brilliant producer’s very best.

2 – Burial – Ashtray Wasp

William Bevan bookended the year with a magnificent pair of releases that signalled a true return to the scene. The evolution of his sound towards unconventional sonic structures could have been an unwise move, but we've learned to always put our trust in Burial. With the closer to the superb Kindred EP, Bevan created one of his best songs to date. With a new eye for cinema and drama, Ashtray Wasp led the listener by the hand through a fractured sonic landscape whose desolation was only equalled by its beauty. EP Review.

1 – Andrés – New For U

Forgive us for not being original with our number one choice. With a heart-melting string sample, former Slum Village DJ Andrés ruled 2012 with this stunning single. Effortlessly fusing Disco, Soul and House into a tune as life-affirming as it was bittersweet, New For U was an inescapable summer success story from a man who formerly toiled as one of House music’s great unsung heroes. 

Best Tracks of 2012: 75 – 51

Year End Coverage

* Best Albums of 2012

* Best EPs of 2012

* Best Labels of 2012

* Best Breakthrough Artists of 2012

* Best Tracks of 2012 - 101-76
* Best Tracks of 2012 - 75-51
* Best Tracks of 2012 - 50-26
* Best Tracks of 2012 - 25-1

Follow White Noise on Facebook and Twitter!

Here's 25 more of our favourite tracks of the year. Enjoy!

75 – Jack Sparrow – Good Old Days feat. Ruckspin

Deep Medi shows there’s still life in the old 140 horse yet, with this sultry jazz-inspired number from the Author duo.

74 – Marquis Hawkes – Sealion Woman

Tough, analogue workout accompanied by a showstopping US folk vocal-line. Something special.

73 – Bicep – Vision Of Love

Pitch-perfect piano House from the Northern Irish duo. Literally cannot be overplayed. EP Review.

72 – Jack Dixon – Find Shelter

Polished House number shows Dixon has a few real surprises up his sleeve. Detailed sounds and a strong groove make this one essential. EP Review.

71 – Helix – Honig

Proper Techno workout from one of the year’s most talented breakthroughs. Bright synth streaks and hammering beats sure to murder the dancefloor.

70 – Kuedo – Work, Live & Sleep In Collapsing Space

Destructive future-sounds from one of the scene’s most unique voices. Otherwordly sci-fi soundtracking.

69 – Disclosure – Tenderly

Infectiously bouncy Bass number courtesy of Disclosure, one of the year’s mainstream crossover successes. EP Review.

68 – Daphni – Yes I Know

Caribou’s Dan Snaith offers a soul-injected House workout under his Daphni moniker. Worth the price for the vocal sample alone. Album Review.

67 – Presk – Nobody Makes Me Do

Wonky stepper with a couple of earworm vocals and some seriously polished production skills. EP Review.

66 – u-202 – Straightjacket

Pure strangeness from the L.I.E.S. camp. Takes its time to build into a loping House roller. 

65 – Artifact – Deserted

4am stepper deal in drama with monstrous drops and moody synthwork. EP Review.

64 – Dark Sky – Shades

Epic night stomper from the Dark Sky trio. Powerful grooves and an unstoppable bass bounce. EP Review.

63 – Downliners Sekt – Trim / Tab (part one)

Beautiful dance deconstructions from a White Noise favourite. Vocals, piano chords and haunted beats are consigned to the fragmented clicks and all-consuming vinyl hiss. EP Review.

62 – XI – Squeeze

Tough percussive Garage from Toronto on Orca. Stop-start rhythms and a de-oxygenated vocal cry make this one something special. EP Review.

61 – Swindle – Mischief

140 Jazz madness from the Deep Medi camp. Totally unique, genre-defying stuff.

60 – Boddika – Acid Jackson

A red-hot slice of future Acid from the man who probably sleeps tucked up next to his 303.

59 – Airhead – Wait

A track that polarized opinions, here at White Noise we loved Airhead’s Karen O collage. Atmospheric and emotive. EP Review.

58 – Akkord – The Drums

The most atmospheric of the shadowy Manchester group’s releases so far. Fantastic vocals and rugged beat patterns. EP Review.

57 – Mosca – Eva Mendes

Unstoppable Jersey House track from one of the scene’s most dependable producers. Guaranteed to get any club moving.

56 – No Fixed Abode – Indian Street Slang

Leftfield electronic tune from our favourite of the LHF collective. Cross-cultural, cross-genre, totally brilliant. Album Review and EP Review.

55 – NY Stomp – The NY House Trak

Gerd, one of the House scene’s worst-kept secrets, put out one of the genre’s most irresistible, no-nonsense stompers this year under his NY Stomp alias. Perfectly judged vocal snips and a great synthline make this one a surefire weapon at any party.

54 – Bondax – Baby I Got That

Poppy Bass/ Disco hybrid from the impossibly young duo. If any song gave us summer in four short minutes, this was it.

53 – Last Magpie – (Who Knows) Where The Love Goes

Chilled House number that we couldn’t stop playing over the last few months. Addictive vocal, lush chords, punchy beats and a deep ambient hiss kept this one on repeat long after the summer had gone.

52 – Boddika & Joy Orbison – Swims

Ubiquitous acid number from two of the scene’s biggest stars. Superb vocal and the best cowbell solo you’ve ever heard. EP Review. (Dun Dun was a close second).

51 – Dean Blunt – track 2 feat inga copeland

The Hype Williams duo stepped out from the cloud of weed smoke for this nakedly beautiful warped-Pop track. A simple piano loop and a dusty drum machine was all that was needed to create a career highlight.