June Roundup 2015

The summer is certainly beaming now, and our roundup reflects this, evenly divided between colourful club joints and smoky deep house numbers for those sultry evenings. Here we have a couple of superb remixes and edits courtesy of Maurice Fulton (a reissue of a bona fide classic) and Samo DJ, alongside some top-quality material from Morgan Geist's Galleria project (with WN favourite Jessy Lanza on vocals) and the bizarrely catchy French pop of Domenique Dumont. We then venture into jazzier territory with the Mood Hut crew following up last month's PSS outing with a superb Jack J single on Future Times and an ace new House of Doors single. Finally we take it way deeper with Arnaldo, Session Victim's Matthias Reiling and Raw M.T, closing with the seductive melodies of Nicolas Jaar and John Roberts. To say that this month is an all-star line up would be an understatement. Get listening.

Alice Smith - Love Endeavour (Maurice Fulton Remix)

Domenique Dumont - L'esprit de l'Escalier

Jack J - Thirstin'

Ben Sun - Seven Sisters

Samo DJ - Flyer Edit

The Galleria feat. Jessy Lanza - Mezzanine

A.A.L. - I Never Dream

Kornél Kovács - Malon

House Of Doors - Starcave

J. Albert - We Know

Unknown Artist - Une Ile

Steve Murphy - UK Treatment
Martyn - EF40

DJ Koze - XTC 

Matthias Reiling - Silverhope Rd

Raw M.T. - Falling Into Nowhere

Arnaldo - With You By The Lake

Nicolas Jaar - Swim

And the inevitable couple we couldn't find on youtube:

Nicolas Jaar - Nymphs II

Label: Other People

Nicolas Jaar commands a rare adoration in the electronic music world – a crossover success, loved by fans and critics, always pushing outwards towards something strange and new. While Jaar’s music has always charted between worthwhile and genuinely revelatory, his output has slowed significantly in recent years. Between his extraordinary debut album in 2011 and this new single, Jaar has formed then disbanded his group Darkside and launched a label which now charts over thirty releases. That’s a long time for fans to wait.

Yet Jaar is a dependable producer, and if there’s one thing he always manages to do it’s give listeners something they didn’t know they wanted. The narcotised disco of his early singles gave way to the tactile electronica of Space Is Only Noise, and now Nymphs II shows Jaar sculpting sound in long-form, more delicately and impressively than ever.

The two consuming tracks form a single suite, grooves and motifs gliding in and out of earshot across the fifteen minute runtime. The long intro to The three sides of Audrey and why she’s all alone now sounds like forms emerging from a pool of still water, supple and flexing, an intricate ballet of shifting strings, slight chords and strained celestial vocals. A toybox melody introduces the dense Latin-inflected rhythm at the halfway mark, building to an otherworldy finale as everything comes together, only to fade into a beautiful synth coda heavy with longing.

No one is looking at U has more of a distinct pulse, its rhythm in place throughout, again showing Jaar’s unique knack for making compelling work from such a subdued soundfield. A star-gazing melody helps the track lift off towards the close, before the arrangement dissolves back into a glistening web of treated vocals and effects.

Both tracks here are growers, requiring time to unlock the intricacy of their design. But like Jaar’s best work they showcase one of his most remarkable traits as a producer. He always gives the listener a big satisfying melody or rhythm which lifts the soul, but Jaar focuses just as much care into crafting the build-up and deconstruction of these dramatic moments, making each song a powerful trip. It’s to his immense credit that it’s tough to call which of the two parts is more compelling.

8.5/10

May Roundup 2015

As ever, there's been more great music than we could possibly write about last month. The May roundup collects some of the best tunes that our radar has caught over the last few weeks. We start sketching some house and disco sketches figures, Nebraska's ace filter-disco, a lovely reissue of Vincent Floyd and some ace material on Text, Future Times and the intriguing new Uniile imprint. Darkness falls midway through the playlist, with Galcher Lustwerk's long-awaited Parlay, a lovely edit from Caribou as Daphni and two stellar cuts from J. Albert, who's got our trophy for the most exciting new artist this year. We end with some spaced-out trips courtesy of Nicolas Jaar, JMMF and Lifted, with Minor Science's dangerous bass flex accompanying the curtain fall.

Tracklist:

Paxton Fettel - Afloat on a Sea of Nothing feat. Takuya Matsumoto

Nebraska - Emotional Rescue

Unknown Artist - A Jazz Thing

Mosey - Tuff Times

Joe - Thinkin About

Vincent Floyd - Get Up

Creta Kano - Skyway Motel

Panama Brown - Theme From Panama Racing Club

Cherushii - Wild Abandon

Galcher Lustwerk - Parlay

Daphni - Usha

J. Albert - Kiss The Ground

J. Albert - Vertigo Contracto

Luca Lozano & Mr. Ho - Dripbox

JMMF - Paraesthesia

Nicolas Jaar - The three sides of Audrey and why she's all alone now

Lifted - Bell Slide

Farbror Resande Mac - Stockholmsnatt

Mark Barrott - Saviours Or Savages

Minor Science - Closing Acts

Total Redraw: Home Listening Edition

Remixes that really shake things up

No self-respecting music fan is a stranger to the idea of the remix. After a track is completed, the stems are passed off to other like-minded producers and are reshaped to allow the style and personality of the remixer to come out while elements of the original are retained. While the odd remix on the B-side of an EP really shines, they can all too frequently come across as unnecessary additions to the original mixes, so when a really good remix comes about you’re sure to take notice.

This feature doesn’t focus specifically on ‘great remixes’, but rather remixes where the producer has taken the core track and has really invigorated the original track, leaving it recognisably the same but taking the tune in a totally different direction. After much ploughing through my music library, I’d like to present some of the most successful remixes I’ve heard where the remixer on hand has really gone beyond the call of duty; and these will be shown  and discussed along with the original tracks.

Running through a real range of contemporary music, a lot of these will be dance-focused but some are even stranger takes on recognisable classics alongside less well-known contributions. So without further ado, let’s get listening and check out some of the best remixes to be found in the White Noise vaults.

This two-part series will be split, with the first section dedicated to home listening tracks and the latter a big playlist of remixed dance music. Enjoy part 1!

Gold Panda – Marriage (Forest Swords 1am Hotel Room Redraw) 

In this stunning rework of one of Gold Panda’s best tunes, the atmospheric Forest Swords completely rebuilds the track from the ground up, entirely with acoustic instrumentation. The melody is still there, but it’s hard to imagine a more imaginative and successful redraw.

Efdemin – Acid Bells (Martyn’s Bittersweet Mix)

Sounding more Aphex Twin than Efdemin, legend Martyn relegates the original’s driving rhythms to the background, allowing a haunting piano melody to take centre stage.

Aphex Twin – Untitled (Four Tet Mix)

Apparently devised at the tender age of 17, Kieran Hebden’s IDM-fuelled mix of one of Aphex Twin’s most brilliant ambient tracks is a dream collaboration that retains aspects of both producers’ styles.

Mount Kimbie – Maybes (James Blake Remix)

James Blake applies a trademark warmth to one of Mount Kimbie’s best, fuzzing up the duo’s crisp production and lending it a woozy dubstep momentum.

Fever Ray – If I Had A Heart (Fuck Buttons Remix) 

Here Fuck Buttons take Fever Ray’s darkness as far as it will stretch, wielding a driving 4/4 and growling bass frequencies to create something black and wildly hypnotic.

Fever Ray – When I Grow Up (Version by Lissvik) 

Alongside for comparison, the most bizarre remix here is courtesy of one half of Balearic duo Studio, as Lissvik sets Fever Ray’s straining vocals to bouncing house with tropical synthlines. The strangest thing isn’t that it works, it’s that it works so damn well.

Star Slinger – May I Walk With You

Although not technically a remix, Star Slinger’s rework of Life Without Buildings' The Leanover is a brilliant recreation, taking Sue Tompkins’ jittery vocals to their logical extreme alongside tough beats and some of the catchiest looping you’re likely to hear.

Bibio – Lover’s Carving (Letherette Remix)

This dreamy hip hop rework of Bibio’s upbeat classic works like a charm, chopping up the vocals while retaining the sunshine of the original. The only flaw is that it’s all too short.

Lianne La Havas – Forget (Shlohmo Remix)

Shlohmo on excellent remixing form again, applying Lianne La Havas’ vocals both in original and chopped forms to a dreamy soundscapes replete with clicks, blips and deep haunting bass.

Agaric – No Way I Know I Feel  (Axel Boman Remix) – Clips of Original

Axel Boman takes Agaric’s dense original and cleans it up, making that nagging vocal the centrepiece of a world of swirling samples and twinkling beats.

Shlohmo – Rained The Whole Time (Nicolas Jaar Remix) 

The superb Nicolas Jaar livens up Shlohmo’s melancholy original with harder woodblock beats, blowing up the guitar in the original alongside soulful beats and samples that shift and swirl magnificently.

Colonel Abrams – Trapped (Hell Interface Remix)

Boards of Canada, under their Hell Interface moniker, take chopped and screwed to a new deathly extreme in their growling slow-down of Colonel Abrams’ 80s classic.

Burial – Shell of Light (Shlohmo Remix)

Tampering with Burial is not done lightly, but Shlohmo nails this one, isolating the hopeful last 30 seconds of the original and casting them onto an emotional widescreen with deeper-than-deep bass and ghostly vocal touches.

Nuyorican Soul – I Am The Black Gold Of The Sun (4 Hero Remix)

It’d be hard to outdo the original, backed by Masters of Work production and Jocelyn Brown’s honey tones, but 4 Hero turns the tune into a feelgood jazzy odyssey, thoroughly living up to the glory of the original.

20 Best Albums of 2011

Best of 2011

EPs

Singles

Albums

With electronic production becoming ever more ubiquitous in mainstream culture and ever more experimental on the fringes of music, it’s no surprise that it dominates my list of 2011’s best albums. My favourites of this year included a good few atmospheric electronic pieces, a few dance-focused LPs and some stranger fare, but the overriding point in common is the exploration of how computers are being used to create ever more evocative and thought-provoking music.

Obviously in choosing only twenty I’m missing so many of the year’s great releases, but when reflecting on a whole musical year the factor that stands out besides innovation and skill is longevity; the year-end list is the unique spot where a reviewer can look back and say ‘Yes, that was great, but am I still listening to it? Will it stay with me beyond this year?’ If the answer to these questions is a fervent ‘yes’, then that album is on this list.

PS - The list is arranged in sets of five as I feel when you get to the very best albums of the year they appeal to different people and fulfil different criteria, so it seems pointless to separate them. Click on the album titles to see my full reviews from earlier in the year.

#20-16

SBTRKT  - SBTRKT

Wildfire

On his debut full-length, the anonymous UK producer achieved the rare feat of marrying Dance and Pop with unerring success, crafting a fun and exuberant selection of accessible tunes.

Tim Hecker – Ravedeath, 1972

The Piano Drop

The always brilliant Ambient / Drone producer released one of his very best works this year in Ravedeath, an evocative and haunting album that twists live organ recordings from an Icelandic church into a beautiful artistic statement with masterful electronic tweaking.

Peaking Lights – 936

All The Sun That Shines

Husband and wife duo Peaking Lights exceeded expectations with their blissed out LP landing somewhere between western Dub and the more experimental side of rock.

Andy Stott – Passed Me By

New Ground

With Passed Me By, Andy Stott finally broke out to a wider audience who rightly adored his unique take on House; fatigued, innovative, and utterly hypnotic.

Panda Bear – Tomboy

Surfer’s Hymn

Noah Lennox somehow met the stratospheric expectations heaped on his new LP before its release, refining his trademark sound of reverb-drenched vocals and hypnotic guitar loops into something fuller and more outward-looking.

#15-11

Sully – Carrier

2 Hearts

Sully didn’t exactly surprise me on his debut LP, delivering dark 2step tracks crafted with the same skill and care as his previous output, but just how much I still listen to these tracks is a surprise. The London feel is embedded deeply into these tunes, and each cut is a self-contained gem of paranoid dance rhythms.

Roman Flugel – Fatty Folders

How To Spread Lies

This carefully-produced LP is a masterclass tour of Techno’s many faces, straddling influences as varied as Dubstep, Kraut-rock, Minimal and Deep House, while always remaining crisp, danceable, and enchanting listen after listen.

Shabazz Palaces – Black Up

An Echo From The Hosts That Profess Infinitum

This uncompromising Hip Hop album married unusual flow and polemical subjects with some of the most challenging and innovative production I’ve ever heard on a Hip Hop album, resulting in a stunning piece that sounds like it was sent straight from the future.

Gang Gang Dance – Eye Contact

Mindkilla

Gang Gang’s staggering musical evolution continued unabated this year, and Eye Contact was business as usual from the Brooklyn band; fusing too many genres to mention to create an album of superb and enjoyable Dance Pop that not only sounds like nothing else, but also represents their most consistent release to date.

The Field – Looping State of Mind

Arpeggiated Love

This beautiful set of finely micro-edited loops showed that there’s more than enough life in Axel Willner’s formula to sustain an entire career. These hypnotic tunes are nothing short of staggering, proving yet again that no one does loops like The Field.

#10-6

Martyn – Ghost People

We Are You In The Future

Martyn’s latest was a true masterclass in Dance production, showing not only a producer bravely leaving his comfort zone (again), but a collection of varied and exciting tunes bursting with energy and atmosphere.

Tycho – Dive

Coastal Brake

A lot of artists over the last year tried to create sun-drenched Electronic tunes that mesmerise through chilled vibes and warm synths, but Tycho’s mature and detailed album Dive put them all to shame. This hypnotic and rewarding LP does its stunning cover art justice, and will stay with you long after the flames of 2011’s more immediate releases have died out.

Zomby – Dedication

A Devil Lay Here

Dedication is the most introverted and frustrating (mainly down to track length) release of Zomby’s glittering career, and it says a lot about Zomby as a producer that these facts hardly mattered. The introversion in fact worked to this album’s advantage, and six months on this collection still sounds fresh and brilliant; a moody and varied selection of dance-infused Electronic tunes.

BNJMN – Black Square

Black Square

Benjamin Thomas achieved quite a feat in releasing not one, but two superb albums in a single year. His second for Rush Hour, Black Square, was my favourite – a lush and innovative selection of beautiful Techno tunes that shift organically through an array of mesmerising sounds.

Kuedo – Severant

Scissors

Jamie Teasdale’s first solo release on leaving aggressive Dubstep duo Vex’d was an unexpected move, and all the better for it. Severant is an utterly unique LP presenting atmospheric and futuristic Electronic tunes, and by a long way one of the most engaging and innovative releases of the year.

#5-1

Shlohmo – Bad Vibes

Places

The LA-based Beats scene slowed down quite dramatically in 2011, but from the hush emerged its brightest star, in the form of young producer Henry Laufer. Exceeding the promise of his early EPs, on Bad Vibes Laufer created the ultimate chill-out album; lush and beautiful organic instrumentation combined fluidly with electronic clicks and beats. Bad Vibes achieves that rare combination of being both an easy choice for relaxation and an incredibly rewarding close listen due to the quality of these compositions, and for these reasons it’s probably my most played LP of the year.

Machinedrum – Room(s)

Now U Know Tha Deal 4 Real

Room(s) is an incredible achievement for dance veteran Travis Stewart; it somehow manages to combine almost every dance genre into an utterly brilliant full-length, traversing moods and styles with a rare ease while always maintaining the innovative details and tight production skills that keep the listener coming back for more.

Nicolas Jaar – Space Is Only Noise

I Got A Woman

Brilliant new producer Nic Jaar pulled out all the stops on his gorgeous debut album, appropriating vague influences from a huge variety of genres to create a sound entirely his own. These spacious and atmospheric compositions still sound exciting and unique almost a year after its release, and his future looks very bright.

Rustie – Glass Swords

Hover Traps

Rustie’s phenomenal debut album was surprising in so many ways; it was very distant from the producer first productions, it sounded like absolutely nothing else, but the biggest surprise was that he aimed so high on Glass Swords and track after track pulled it off with style. These tunes fuse every unfashionable genre in the book with style, creating a collection of unabashed joy, all underpinned by a display of masterful composition at its incandescent beating heart.

Balam Acab – Wander /Wonder

Apart

The young Alec Koone’s debut album is by no means the most accessible or exuberant album on this list, but for me it is easily the most beautiful. Here is an album of deeply emotive and expertly composed tracks that exists almost outside of genre; the tracks progressing like waves between enchanting synth highs and dark dubby lows, all held together by ethereal vocals to magnificent effect. The tunes on Wander / Wonder are quiet and unassuming, but given time they reveal themselves to be one of the most atmospheric and rewarding collections I’ve heard in years.

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I'm off to see Scuba and Joy O tonight, I hope everyone has a great New Year's and look forward to much more from White Noise in 2012.

October Dance Roundup

We’re now entering the dark depths of winter, and so what kind of blogger would I be if I didn’t try my hardest to supply you all with tunes to keep you dancing through those cold nights? I’ve collected together twenty one of my favourite dance tunes from the last month or so, downloadable as a playlist from mediafire here, so let’s get going.

Classixx - Into the Valley feat. Karl Dixon (Julio Bashmore Remix)

First off is a clear contender for track of the year in Julio Bashmore’s euphoric remix of Classixx’s Into The Valley, running classic Chicago house stylings through a thoroughly modern filter with everything you could possibly want from a dancefloor stunner; ecstatic keys, emotive vocals, and one of the most irresistible grooves around.

Maurice Donovan - Call My Name

Keeping up the retro feel is Maurice Donovan’s (aka Ramadanman / Pearson Sound) throwback cut Call My Name, in which a cloying vocal line is stretched around a straight and bouncy house track that has all the right elements in all the right places.

Coat of Arms - Is This Something

Coat Of Arms’ low-key release Is This Something is probably my most played track of the month, a gorgeous piece of bouncy bass with a Faith Evans sample twisted almost beyond recognition that can pretty much be mixed with anything to sound brilliant.

Mercury - You Lift Me Up

Still holding onto those upbeat vibes we have Mercury’s September release You Lift Me Up, where diva-licious vocals are styled and chopped with classic garage trimmings and some gorgeous bassy synth-work. This is an absolute banger.

Visions of Trees – Novocaine (Melé Vocal Mix)

Next is a lovely vocal mix of Visions of Trees’ endlessly surprising Novocaine, where a great vocal line is twinned with stomping bass in a track full of great micro-edits and details in order to keep it well-paced and engaging right the way to the close.

A1 Bassline - Falsehood

A1 Bassline’s releases have been fire recently, and the recent Buoyancy / Falsehood is no exception. The A-side’s bassy glory is well worth a listen, but for me this darker B-side stole the show. Here great percussion vies for attention with choppy footwork vocals, before dropping into one of the best builds I’ve heard all year.

DJ Godfather – Make That M.F.

Moving on to other genres, this piece of dirty ghetto techno has had me moving all month long. Joining the ranks of the likes of DJ Assault, DJ Sluggo and Maurice Joshua, here Percolator-style bounces supplement knife-sharp handclaps under that commanding vocal line.

Boddika – Acid Battery

One of the more remarkable tracks on Scuba’s excellent DJ Kicks this month, Boddika’s cold new acid take relies on treated synths, skittering percussion and paranoid searing synths to fantastic effect.

Distal – Mamanimal

I kind of put this track in because I’m still unsure whether I like it or not, but it’s definitely worth a listen. Clipped from this month’s Frite Nite Surreal Estate collection, this mutating track settles from a stuttering bass number with precise and textured percussion into an uneasy synthline, before abandoning all of this completely for two minutes of an epic synth build and powerful beats. Has to be heard to be believed.

Brenmar – Temperature Rising

First pick of this month’s bassier numbers goes to Brenmar’s gorgeous and sexy release from his newest Let’s Pretend EP. A fantastic vocal line glides smoothly over light percussion and deep bass stabs, while a constantly shifting synth-field always keeps the song firing at all cylinders. This is one not to miss.

Jack Dixon – Clear

Another gorgeous cut from up and coming Jack Dixon, this is a light and airy cut with distinctive bass stylings. A nice vocal line echoes off into a warm and bouncy track that has the real potential to get dancefloors moving.

Sepalcure – I’m Alright

Coming out as the B-side to their forthcoming single Pencil Pimp from the NY duo’s self-titled debut out this month, this is a great sign of what’s to come. Really laid back, the vocals court light synth-work showing Sepalcure’s trademark skill and bass know-how.

Jack Dixon – Coconuts (Disclosure Remix)

Another Jack Dixon cut, this time remixed by White Noise favourite Disclosure, this has had a lot of playtime on my laptop in the last few weeks. Disclosure take Dixon’s slow and sexy tune and draw those vocals and beats out as far as they will go, crafting a fantastic tune in its own right.

Arkist – 23 Summers

(Not on youtube but included in the download)

The always on-point Arkist crafts a sinuous groove across bouncing synths and vocals that are just out of earshot, showing his consistent ability to put a warm and funky twist and contemporary dance music.

Addison Groove – An We Drop

Another track culled from Scuba’s DJ Kicks release, this is quite a restrained cut for the normally intense producer, but it’s recognisably Addison Groove in the acid-house stabs that rule the latter half of this great tune.

Gugu – Rollin

Following this year’s Afro-Cuban EP with a release on DVA’s recent Some Things Never Strange EP, Gugu stole the show for me with Rollin. Deceptively simple, the bounciest of basslines rules under sharp beats and a great vocal loop.

Kahn – Tehran

The B-side to Kahn’s last Illy single, Tehran sounds totally unique, with distinctive Eastern trappings running over the top of a pulsing dance tune. Definitely one of the best tunes of the month.

Najem Sworb – Severance

(Not on youtube but included in the download)

French producer Najem Sworb’s last single was one of the best I’ve heard in a long while, and this A side more than proves why. Through what is essentially techno he creates a busy and rich soundfield, layering mutating synthlines over a head-bobbing beat and irregular percussion.

Floating Points – Danger

Floating Points’ last experimental 7” won’t be to everyone’s tastes, but it certainly held my attention. This is micro-dance at its smallest, beats sounding like rips in the musical fabric interrupted by a tiny swirling synthline that makes for quite a cerebral listen. You might find it hard to fit this into a mix, but its definitely worth a listen.

Mosca – The Way We Were

The first track from Mosca’s free 5000 Followers EP (released to celebrate a Twitter landmark), this is a track of unusual quality for a free release. The word here is groovy, and Mosca ties soothing vocals over warm keys and tops it all off with a Wu-Tang skit. What more could you ask for?

Nicolas Jaar – Don’t Break My Love

Fresh off the press, Jaar’s free EP (available to download as of this week) shows Jaar is still on form, and he’s looking in more interesting directions than ever with his sound. What is largely an experimental percussion piece unfolds at its own hypnotic pace, with organic sounds complimenting each other gorgeously. It all finishes with an intoxicating loop that you’ll wish went on for much longer.

Electronic

This list is a little less melancholy. Opening with Shlohmo's brand new Sink which emotes through downbeat percussion and lush oriental synths, this is followed by the ever-weird Odd Nosdam of anticon fame, with The Kill Tone Two in which a dusky harp melody is damaged by drum machines and off-kilter rap. Mount Kimbie's Between Time twins slow reverb-laden guitar with sharp beats, setting up a very young Kieran Hebden's first big hit, Everything Is Alright. From here we move to more solemn territory, Nicolas Jaar's distinctive minimal soundscapes in the quiet and perfect Colomb, and How to Dress Well's deeply sorrowful Suicide Dream 2. Drifting into less emotional waters with another track from Shlohmo's new album which leads to the inimitable Boards of Canada's fantastic drone piece Corsair. This flows into Burial's most ambient track on record, the short but beautiful UK from his masterwork Untrue. Fennesz lifts the mood slightly with the melancholy fractured summer pop of Caecilia and then a one-two punch of Dilla tracks injects a little soul into the proceedings. After this Memory Tapes' lovely instrumental closer Run Out breathes life and hope into the melancholy sound with a gorgeous melody, followed by my very favourite Gold Panda track, the second You in which a beautiful operatic sample soars over switching beats. Then, let it all fade away with the Scottish duo once more, this time with Farewell Fire which loops more and more quietly until nothing remains.

Dance Playlist and Track Reviews

So I've got another selection of great dance tracks for you guys, just a collection of tracks that have been worming their way into positions as permanent installations in my brain. Here we'll move through some lovely garage beats via choppy vocals to 2-step and a couple of choice remixes, all perfectly suited to getting you moving throughout the night. Also obviously these are all fairly high scoring as they're my personal pick of tracks. Enjoy!

Shower Scene – Huxley

This track just has everything. With its classic UK garage stylings it builds over a simple but brutal beat to a drop that could knock out almost any contenders so far this year. We are treated throughout to a tense vocal loop and some stabbing synths but it's the force of this track that makes it a winner, not the precious details. Gonna be a hard one to beat.

4.5/5

Locked – Four Tet

Hebden's latest single for Text came off his upcoming fabriclive mix. Four Tet crafts a simple house shuffle and interlaces a few meaty bass drops and a luscious pitch-shifting synth melody to create a real winner. It's restrained but tough while remaining pretty, exactly what we've come to expect from the Tet's more dance-orientated releases.

4/5

Another Girl – Jacques Greene

I know this isn't the newest track but in my opinion it's one of the best of the year so far and so I had to squeeze it in somewhere. Greene's shimmery, patient sound is made up of some sharp snares and deep bass throbs, but it's those emotive, sighing, story-telling vocals that give this cut its special shimmer and that will keep you coming back. That ecstatic looped sigh has gotta be one of the sounds of the year.

5/5

Culture Clubs – Ital

Again, I know this isn't super new, but I've not found space to plug it until now. Ital's new release for Not Not Fun's dance label 100% Silk is better than I could've hoped, and is definitely in my list of best tracks of the year so far. A simple house click is undercut by warping, pitch-shifting synths that never quite sit still, and when that vaguely tropical melody comes in it's too clear this track is on another level; a gorgeously detailed composition likely to cause euphoria.

5/5

RDI (Girl Unit Remix) – Breton

Fresh from club anthem Wut, the best of Night Slugs serves us a delicious slice of woozy bass in this remix. Sirens cry out over harsh synth loops and ocean-deep sub bass to deliver a hot (yes, and heavy) tune that it's very difficult to stop listening to. Gun gestures at the ready.

4/5

Box of Birds – Antix

Okay, a psytrance track from a while back is definitely not the 'coolest' inclusion into this playlist but I just discovered it and I really can't stop listening. Here a clipped distending rhythm contorts around a heavy bassline and immediately fills the room, resulting in a real unexpected dancefloor favourite for me. Each change is welcome and interesting while the core of the track is always guaranteed to get you moving, and that's all you need really.

4.5/5

Lotus Flower (Jacques Greene RMX) – Radiohead

I'm half harking back to the fantastic Twelves remix of Reckoner I put in a playlist a while back, this track luxuriously plays Yorke's inimitable vocals over a constantly shifting composition that switches up every minute into a new part. It's fantastic as a whole and one of the better Radiohead remixes floating around, but be sure to stick it out to the full-throttle beat masterfully conjured up in the fourth minute.

4/5

Into the Night (Nicolas Jaar Remix) – Azari & Iii

End of the night house closes the playlist with my very favourite track of the moment. Followers of this blog will know I'm a big fan of Nico Jaar, and the very simple reason for this is that everything he touches... well, you know. This masterful rework strikes me as a great deal more thought-provoking than A&I's straight-up original, with an emphasis on that warm piano and an irresistable beat coupling midway through. The acid deviation towards the end of the track is oh-so-welcome, but what really shines here is Jaar's teasingly clipped vocal samples that make you wait before the whole line is revealed in its isolated, emotive glory. As always, a stellar production from Jaar tinging effortless clubby warmth with the slightest hint of melancholy he so interestingly brings to his compositions.

5/5