May Roundup 2015

As ever, there's been more great music than we could possibly write about last month. The May roundup collects some of the best tunes that our radar has caught over the last few weeks. We start sketching some house and disco sketches figures, Nebraska's ace filter-disco, a lovely reissue of Vincent Floyd and some ace material on Text, Future Times and the intriguing new Uniile imprint. Darkness falls midway through the playlist, with Galcher Lustwerk's long-awaited Parlay, a lovely edit from Caribou as Daphni and two stellar cuts from J. Albert, who's got our trophy for the most exciting new artist this year. We end with some spaced-out trips courtesy of Nicolas Jaar, JMMF and Lifted, with Minor Science's dangerous bass flex accompanying the curtain fall.

Tracklist:

Paxton Fettel - Afloat on a Sea of Nothing feat. Takuya Matsumoto

Nebraska - Emotional Rescue

Unknown Artist - A Jazz Thing

Mosey - Tuff Times

Joe - Thinkin About

Vincent Floyd - Get Up

Creta Kano - Skyway Motel

Panama Brown - Theme From Panama Racing Club

Cherushii - Wild Abandon

Galcher Lustwerk - Parlay

Daphni - Usha

J. Albert - Kiss The Ground

J. Albert - Vertigo Contracto

Luca Lozano & Mr. Ho - Dripbox

JMMF - Paraesthesia

Nicolas Jaar - The three sides of Audrey and why she's all alone now

Lifted - Bell Slide

Farbror Resande Mac - Stockholmsnatt

Mark Barrott - Saviours Or Savages

Minor Science - Closing Acts

15 Best Albums of 2012

Year End Coverage

* Best Albums of 2012

* Best EPs of 2012

* Best Labels of 2012

* Best Breakthrough Artists of 2012

* Best Tracks of 2012 - 101-76
* Best Tracks of 2012 - 75-51
* Best Tracks of 2012 - 50-26
* Best Tracks of 2012 - 25-1

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So many great albums come out in a year, and it’s all too easy to be listening to one thing and feel sure that nothing else could possibly beat it. That is, until you start listening to the next record. On White Noise’s year-end roundup, we pay special homage to those albums which challenged the way you think about music while still delivering quality tunes, those that stretched their concepts a little bit further than the dancefloor. More than anything, these are albums with real longevity- that we’re still listening to months after the hype died down.

As a treat, I've included White Noise's 5 Best Non-Dance Albums at the bottom of the post.

Just missed out: 

Austin Cesear - Cruise Forever

Flying Lotus - Until The Quiet Comes

Daphni - Jiaolong

Session Victim - The Haunted House of House

  

15 - Gerry Read – Jummy [Fourth Wave]

 

Let's Make It Deeper

With the UK House scene becoming ever more densely populated, Read's unique lofi approach stood out from the crowd on his great debut LP. Rough DIY beats and syrupy textures lent the record a hazy feel that stood as a loud statement against the over-polished productions of so many scenesters.

14 - Darling Farah – Body [Civil]

Body

2012 was an uncommonly fine year for Techno albums, which often stood out for their precision and propulsive drive. What Farah really nailed on his debut LP, as well as these things, was atmosphere. The music of Body felt like a contingent world surrounding the listener, and his minimal approach to layering meant that every sound really counted.

13 - Holy Other – Held [Tri Angle]

 

Held

The publicity-shy Holy Other made good on the promise of 2011's With U EP by expanding his sonic palette and increasingly the emotive scope of his sounds. Drenched in moody atmospherics, his crunchy Hip Hop beats and soaring synths spoke of an emotional desolation rarely conjured on electronic records.

12 - Juju & Jordash – Techno Primitivism [Dekmantel]

Stoplight Loosejam / Diatoms / Backwash 

This Amsterdam-based pair have been a Techno secret for two long, and with this outstanding LP they finally stepped into the limelight. Fusing an embarrassment of genres and styles into a muscular Techno framework, the details and pure grooves on offer throughout this album kept us coming back for more and more.

11 - Andy Stott – Luxury Problems [Modern Love]

 

Numb

Notching up his second superb LP in as many years, Stott returned to his weary industrial House sounds with a fresh eye on Luxuruy Problems. Warping the vocals of his former piano teacher Alison Skidmore into the mix, Stott's detailed atmospheric productions still stand without equal.

10 - Donato Dozzy & Neel – Voices From The Lake [Prologue]

Album Clips

Italian Techno legend Donato Dozzy returned to long-time collaborator Neel to conjure one of the year’s quietest and best surprises. The tracks here work as a continuous whole, always impressing while never insisting, conjuring an organic sonic landscape in which the listener will want to get lost again and again.

9 - Recondite – On Acid [Acid Test]

Tie In

Just when you thought you'd heard everything that could be done with a 303, in came Recondite. These cerebral and meditative tracks are not Acid as you'd expect it, unravelling and building as long constructions which carefully conjure mood and feeling. It was a remarkable thing in itself to hear those pure crystalline notes eked from the famous squelching synthesizer, and this LP was one of the year’s most thoughtful and delicate successes.

8 - Cooly G – Playin Me [Hyperdub]

 

Come Into My Room

After a sporadic series of releases delving into the UK dance tradition, Londoner Cooly G took us by surprise with her exploratory and sensuous debut album. The tracks here feel remarkably free of genre convention, fusing dance tropes with treated acoustic instruments and frequently the producer's own warped vocals. The thrill of structural exploration is matched only by a surprising emotive punch beneath the ghosts of UK Funky drum patterns, resulting in a moody and powerful post-RnB epic.

7 - Dean Blunt and Inga Copeland – Black Is Beautiful [Hyperdub]

 

2

The duo also known as Hype Williams turn out a lot of material, and to date little has stood up to the excellence of their Untitled LP. But here on their Hyperdub debut they've conjured another slice of warped brilliance. You'll recognize the syrupy synths and hollow drum patterns, but with more structural and sonic experimentation and the prominence of Copeland's sensual vocals, these fractured soundscapes start to give way to something confusing, profound, and often beautiful.

6 - LHF – Keepers of the Light [Keysound]

Chamber Of Light

A dance album that clocks in over two hours is almost never a good idea, but shadowy London collective LHF exploded onto the scene with this thrilling and atmospheric collection. Each producer has his own distinctive voice and impressive production chops, crafting an epic homage to London's dance lineage that never tires despite its ambitious runtime.

5 - Actress – RIP [Honest Jon’s]

IWAAD

With his challenging and genre-defying follow up to Splazsh, Actress stepped even further away from convention to serve up a fragmentary narrative of meditations on death. The heavy subject matter did nothing to take away from Actress’ production prowess, and with repeated listens this album opened up like a dream, letting you in, little by little, to his devastating, perplexing, and utterly unique world.

4 - Benjamin Damage & Doc Daneeka – They!Live [50Weapons]

 

No One feat. Abigail Wyles

They!Live won’t turn any heads for radical innovation or experimentalism. It was simply a very, very good dance album. Perfecting the fusion of moodier pieces (greatly helped by the lovely vocals of Abigail Wyles) and nuanced dancefloor bangers, the whole thing just worked perfectly. Each track was impeccably polished, the pair producing a diverse and engaging collection of tracks that amazed just as much on headphones as it did on the dancefloor.

3 - Jimmy Edgar – Majenta [Hotflush]

 

Sex Drive

It would be easy to brush off Majenta. There’s something undeniably filthy about it all; an electro-funk odyssey drenched in sleaze and neon lights. But beneath the 80’s backroom vibes there is one of the most engaging, diverse, and flat-out fun albums that came out all year. Every track sizzles with energy; Edgar’s pairing of razor-sharp IDM beats and big Funk basslines is pulled off without a single error, creating a lurid musical world that we returned to more than any other this year.

2 - Vessel – Order of Noise [Tri Angle]

 

Court of Lions

There was an unusually high quality in the LP debuts put out this year, and a lot of this had to do with the Post-Dubstep search for a new deconstruction, a new fluid melding of genres that defied easy labels. Sebastian Gainsborough’s debut for Tri Angle proudly wore the tropes of Dub, Techno and Ambient on his sleeve but created something utterly unique. Order of Noise is a true journey; enticing and mysterious, dusty and religious. Here is a rare confidence, a complete journey with myriad details to return to, a piece of music that will stay with you long after the final track fades into the distance.

1 - Jam City – Classical Curves [Night Slugs]

How We Relate To The Body

A lot of the albums on this list worked to reconstitute Dance music’s rich past, bringing a range of styles up to date with canny production and new technology. But Jam City’s phenomenal debut album was the record on which these historical tropes truly felt as if they were envisioning a new future for the scene. This polished collection of tunes embodied the ubiquitous conflict of contemporary culture- in turns funky and dark, soft and abrasive, ambient and propulsive. The best albums pull the listener into the producer’s world, and from the first note of Classical Curves we were right there: amongst the blood, the oil and the chrome, and all of the dangerous beauty lurking within.

White Noise’s 5 Best Non-Dance Albums

For the hell of it, here are the five albums that have got the most play here at White Noise HQ outside the constraints of the Dance spectrum.

5 - Jessie Ware – Devotion

Sweet Talk

Ware took on a host of talented Dance producers to put out the best thing that happened to Pop all year. Catchy while remaining impeccably produced throughout, Devotion soared above all the competition.

4 - Julia Holter – Ekstasis

 

In The Same Room

How do you follow up an album as universally adored as Tragedy? Holter tackled her sophomore release admirably, crafting a more accessible but just as brilliant album that gave us a lot to chew on. Complex compositions vied with Pop sensibilities, resulting in another slice of brilliance from one of the music world’s most fascinating and unique contemporary voices.

3 - Beach House – Bloom

 

Myth

We’ll be the first to say it: Bloom doesn’t really sound that different from Beach House’s phenomenal third album, Teen Dream. But we didn’t need it to. The Baltimore duo have captured the hearts of many with their gauzy textures, cheap drum machines and Victoria Legrand’s phenomenal honeyed vocals. If they keep putting out albums of this quality and never change an iota, we’ll keep buying them.

2 - Chromatics – Kill For Love

Back From The Grave

Johnny Jewel finally delivered on a follow-up to 2007’s glorious Night Drive with stellar double-album Kill For Love. The return of those 80s synths and Ruth Radelet’s anaesthetized vocals couldn’t hide a new compositional prowess and the killer pop sensibilities that made so many of these tracks absolutely essential.

1 - Kendrick Lamar – Good Kid M.A.A.D City

Sing About Me, I’m Dying of Thirst

Lamar’s surprising and fantastic new album is probably one of the year’s most critically revered releases. But this isn’t a case of the hype machine working at full pelt. Good Kid M.A.A.D City showed a rapper with a rare focus on emotional experience and honesty, a brave move in the face of mainstream Hip Hop’s caricature of thug life. Lamar went a step further, parodying Gangsta Rap by deftly manipulating an array of personas that attempted to show just where Hip Hop went wrong in the evolutionary process. But this wasn't just about the lyrics, a keen ear for production means the tracks never sound less than brilliant, complimenting the layered narrative which you’ll come back to long after the year is out.

October Roundup 2012

Here are White Noise's top tunes of October, mostly in a handy Youtube playlist. Unfortunately a few of our top picks weren't available on the 'tube, so I've put up some alternative links at the bottom. This playlist gets darker as it goes on, so don't sleep on the devastating second half.

Enjoy!

Tracklist:

Daphni - Yes I Know

Maxxi Soundsystem feat. Name One - Regrets We Have No Use For

Andrés - Hart Plaza

Last Magpie - Hypno

U - Eah

Pangaea - Game

Elsewhere - Trippin'
Eats Everything - Trubble

Juju & Jordash - Track David Would Play

Vessel - Court of Lions

Jam City - ...Now We Relate
Dawn Day Night - Big Booty Girls
Swindle - Mischief

Here are some clips of our other favourite releases from this month:

Jack Dixon - E

 

Presk - Nobody Makes Me Do


Breach & Midland - 101 (/Somewhere)

 

Jets (Jimmy Edgar and Travis Stewart) - Lock Lock Key

Artifact - Turtle Flight (clip here)

Daphni – Jiaolong

Label: Jiaolong

It might sound fun, but it can’t be easy being one of electronic music’s big names. Not only are you expected to churn out great release after great release with alarming consistency; on top of that you’re expected to innovate. Two consecutive LPs that explore the same sonic territory are quickly branded ‘samey’ and ‘unadventurous’. So I have a lot of sympathy for Canadian artist Dan Snaith, who effectively blew the competition out of the water two years ago with his phenomenal Swim album under his better-known Caribou alias.

 

Yes I Know

Swim was a near-perfect album on first release; the tracks were detailed and sophisticated enough for headphones, propulsive enough for the dancefloor, catchy enough for pop-fans, more than eclectic enough for the alternatives. It ticked pretty much every box.  So rather than attempt to follow that up in only two years, Snaith has been getting increasingly in touch with his club-side, with the notable release of the moody, pacing Ye Ye as Daphni on a split-release with Four Tet last year. And now, we have a whole album under the dancefloor moniker on Snaith’s own Jiaolong label. Is it a worthy follow-up to the mighty Swim? No, probably not. But it doesn’t have to be; this is Daphni we’re dealing with now, and it seems that Snaith can easily translate his compositional expertise and individual voice to the dancefloor.

It should be noted, these are real dance tracks: Yes I Know starts with a DJ-friendly intro building to its unsteady bassline, but these tunes contain more surprises than your average club fare; such as the opener’s excellent funk sample or the iridescent synths that course across the remix of Coz-ber-zam’s rare 7’ Ne Noya. These tracks stand in clear contrast to Snaith’s early work not just because of their surprises but also their spontaneity, the carefully wrought structured replaced with a sound that is more rough and analogue, sometimes bordering on the skeletal. The excellent Ye Ye finally finds an LP home for it’s throaty synths and anaesthetised one-word sample, while Pairs twins African rhythms with a deep bass response and a detailed array of percussive accents to great effect.

Ye Ye

Each track is geared purely towards getting the listener moving, generally through shifting arrangements of spare, analogue sounds such as Light’s sharp snares and phaser-gun breakdown. Elsewher Ahora most closely recalls Snaith’s earlier work, with pitchbent synths accompanying restrained beats and a gentle groove. Jiaolong is explorative and packed full of ideas, but it suffers a little from the bombast of its opening three tracks; the shift towards more stripped-down tunes means that the less hook-laden numbers may have trouble grabbing the listener’s attention. But if you’re not expecting Caribou then it’ll be hard to leave this LP disappointed, there’s a wealth of muscular grooves on display, all the more impressive for Snaith’s rapid mastery of this pure house sound.

7.5/10

Total Redraw: Dance Edition

Remixes that really shake things up

To continue from Monday’s part 1, White Noise now presents some of the best dance remixes from recent times that have been lurking in our music vaults. Again, special attention is paid to remixes that really change the original, and a lot of these are tracks from the non-dance world that have been given a special rework by a top producer.

Tracklist:

Storm Queen – Look Right Through (MK Don’t Talk To Me Dub)

Classixx – Into The Valley feat. Karl Dixon (Julio Bashmore Remix)

Groove Theory – Tell Me (George Fitzgerald Refix)

Florence & The Machine – You’ve Got The Love (Jamie xx Remix)

The Weeknd – What You Need (Prison Garde 808 Edit)

Radiohead – Lotus Flower (Jacques Greene Remix)

The xx – Crystalised (Dark Sky Remix)

Hard Drive – Deep Inside (Pearson Sound Refix)

Amerie – One Thing (French Fries Remix)

Zed Bias – Neighbourhood (El-B Remix)

The Drop – Looking To The Sky (DjRum Remix)

Fat Freddy’s Drop – Cay’s Crays (Digital Mystikz Remix)

Bo Saris – She’s On Fire (Maya Jane Coles Remix)

TRG – Broken Heart (Martyn’s DMC Remix)

Modular Pursuits – No Boundaries (Daphni Remix)

Mosca – Tilt Shift (Julio Bashmore Remix)

Late Nite Tuff Guy – A Deal With God

Boards of Canada – Olson (Midland Re-edit)

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Special thanks to my friend Tom for helping me compile this playlist. Check out his superb mixes on Soundcloud.

Hope you enjoyed the remix roundup, I’ll leave you with a taster of one last track; a forthcoming release from Lorca mixing up FaithEvans and Nuyorican Soul – Enjoy!