April Roundup

This month we felt the first breath of summer so there are a lot breezy moodsetters and funked-out jams from the likes of Omega Supreme and Mood Hut, including the long-awaited returns of Andrés, Sound Stream and the Pender Street Steppers. Adesse Versions on Numbers takes us to peak-time territory, and we finish on the rough style of Ekman, 1080p's Surfing and Shed (as PCK), via some ultra-melodic house from Makam and Christian Loffler. So there's really something to suit all comers, so get listening.

Tracklist:

Ishmael - Time & Time Again

Midnight Runners - Cold Intimacy

Andrés - Believin'

Haydn - Booty Meat

Sound Stream - Bass Affairs

Local Artist - Feelings

Pender Street Steppers - The Glass City

Palms Trax - Sumo Acid Crew

The Cyclist - Hot House

Adesse Versions - Pride

Gonno - Obscurant (Inna Loft Mix by Call Super)

Makam - A Night at Trouw

Christian Loffler - York

Marquis Hawkes - Raw Materials

Massiande - The Future (Is Now)

DJ QU - Loveboxx

Mix Mup - Skip Intro

Surfing - bbc

Ekman - GMMDI (Breaker 1 2 Remix)

PCK - Amen Garage

Tapes Meets The Drums Of Wareika Hill Sounds - Datura Mystic

Best of 2013: 11 EPs

It’s normal to round up the year’s best albums and tracks, but here at White Noise we like to pay a little attention to the EP format as well. While lacking the depth of a long-player, an EP can still offer a striking mission statement, and a platform for more than a simple collection of dance tracks. The best EPs work like miniatures, exploring a single idea from several angles or allowing a producer to flex their creative muscles over a series of different styles. Here we’ve collected the EPs that really stood out to us over the year, by either offering something a bit different or showing an artist at the very top of their game.

There were so many excellent releases this year, and the cruel selection process meant that many couldn’t make the list: superb outings from Big Doint, Innershades, Motor City Drum Ensemble and Palms Trax offered some of the year’s best house tunes, while DJ Rashad, Call Super, and White Material returned with a vengeance on a series of ace records. The EPs on the list gave us just a little bit more, and while some came out almost a year ago, the following vinyls are still on regular repeat here at White Noise HQ.

If you want to read more, click on the title of any release to read the full WN review.

11: Mix Mup – After The Job [Hinge Finger]

After The Job

Mix Mup broke away from Kassem Mosse’s shadow on this fantastic outing for Will Bankhead and Joy O’s Hinge Finger, plying a pitch-perfect brand of lofi house and techno. Doomed and Copa Jams were menacing rollers with a strong undercurrent of funk, while closer Bungalow was a radical left-turn into glistening beatless territory. It was on the title track, however, where Mix Mup really hit the mark, a warped collision of Tina Turner, clicking percussion and an unholy bassline.

10: Martyn – Newspeak [Dolly Dubs]

Oceania

Martyn proved why he’s still one of the best in the game with this expert three-tracker, with glistening bass music backed by two retro-house bumpers on the b-side. Oceania was a beautiful trip, but it was on the low-slung grooves of Newspeak and What Is Room 101 that Martyn really got his jack on. It’s rare to get an EP where every tune is a highlight, but you can trust a producer like Martyn to really nail it.

9: Laurel Halo – Behind The Green Door [Hyperdub]

Throw

Hyperdub’s Laurel Halo was responsible for two of the year’s best releases: this EP and her Chance Of Rain album, and it’s a credit to her remarkable talent that the two couldn’t have been more different. While the LP saw Halo toying with icy, autumnal textures, Green Door was a masterclass in machine-fed funk, from Throw’s beautiful piano to Sexmission’s suffocated techno.

8: Visionist – Snakes [Leisure System]

Snakebite

Logos may have secured the year’s best grime album, but this year’s 12” crown belongs to Visionist. The restless producer let out a slew of lethal productions across the year, but it was on Snakes for Leisure System that he conjured a high-def psychedelia which sounded like nothing else.

7: June – Don’t Be Seen With Me [June]

Face This (Deep House Mix)

We’d be the first to admit that there’s a lot of hardware-driven retro house going round, but none hit that sweet spot of past and future like June did this year. Don’t Be Seen With Me was a masterclass in mood, offsetting glistening melodies with taut drum machine workouts and the occasional foray into acid and new age territory.

6: Romare – Love Songs Part 1 [Black Acre]

Taste Of Honey (From The City)

After topping this list last year, Romare once again scored a winner on his second EP for Black Acre. His collage of samples and genres is executed with a fascinating socio-historical bent, making Love Songs a feast for the mind as well as the feet.

5: Levon Vincent – Rainstorm II [Novel Sound]

???

After a blistering mix for Fabric, Mr Vincent returned to our decks on the superb NS08, where he plied his unique brand of warehouse stomp. Rainstorm saw a return of the untreated synths we loved in Impressions... and Man or Mistress, while the gargantuan ??? saw Vincent aim squarely for the dancefloor, all thanks to the year’s most distinctive bassline.

4: Dopplereffekt – Tetrahymena [Leisure System]

Gene Silencing

Leisure System’s second coup of the year was beckoning Gerald Donald back into the dance game, where he issued an update of his singular scifi funk under the storied Dopplereffekt moniker. Doppler’s hi-def electro has never sounded better than on the propulsive Tetrahymena, or in the tunnelling bassline that reinforced Gene Silencing’s slo-mo menace.

3: Tessela – Nancy’s Pantry [R&S]

Horizon

Not content with issuing what might be the year’s best single, Tessela took to R&S in the Autumn to expand his staccato experiments with breakbeat dynamics. This is techno at its most visceral, from the searing test tones of Nancy’s Pantry to the giddy abandon of the rave-indebted Horizon. Tessela’s palette couldn’t be more current or more vital, even allowing for patience in the simmering threat of Gateway.

2: Anthony Naples – Ill Still [Rubadub]

Faceless

P O T, El Portal, Moscato: Anthony Naples released a lot of brilliant music this year, but for us it was Ill Still that had them all beat. Taking a smoother approach than on other releases, Naples allowed his melodies to shine on these addictive grooves, and all three were superb in their own right. The simplicity of these tracks was addictive: the whirring synthline and straightforward drum programming of Ill Still, or the ghosted vocals and shimmering melodic haze of Faceless: both made for two of our most played tracks. On I Don’t See Them Naples turned a little psychedelic with effortless style, a throaty bassline complimenting a sifting soup of synths and atmospheric detail.

1: A Made Up Sound – Ahead / Endgame [A Made Up Sound]

Ahead

Perhaps more a single than an EP, Dave Huisman’s staggeringly strange single was undoubtedly the most futuristic music we heard all year. Ahead throws dance convention out of the window: no comfortable beat pattern, no melodic hooks to latch onto. Huismans takes a stuttered beat pattern and guts it, splicing in jagged funk samples and splintering percussion. It’s wildly unpredictable and jarringly, brilliantly broken, and we wanted to keep returning just to see if we could manage to make some sort of sense of it all.

Endgame is straighter but by no means simple: a crushed melody split open across an epileptic beat pattern, eventually allowed to morph into sputtering warehouse techno for a searing finale. It’s difficult, perplexing music, and perhaps not aimed explicitly for the dancefloor: but no record left us more dazzled this year.

Best of 2013:

* Best Labels of 2013

* Best EPs of 2013
* Best Tracks: 85-26
* Best Tracks: 25-1

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Mix Mup - After The Job

Label: Hinge Finger

Responsible for a killer album as one half of MM / KM with Kassem Mosse, Mix Mup has quietly been proving himself as one of the lofi scene’s most striking producers, and on his first release for Joy O and Will Bankhead’s Hinge Finger the man steps up to the big leagues. After The Job is a scintillating EP; the mood decidedly ominous, the sounds gnarled and muddy. The title track's a monster, running a Tina Turner sample under a freight-train of click-clack percussion and obtrusive bass figures. The track’s structure, too, is deliciously warped, its stop-start opening giving way to crushed kicks and videogame synths that ramp up the lumbering momentum.

After The Job

One might expect such a star turn to be accompanied by a series of me-too fillers on the flipside, but Mix Mup keeps his sound consistent and exciting throughout. Copa Jams runs at a more typical pace but loses none of the stalking atmosphere, as detuned strings fall awkwardly over a growling bassline and beats locked in the high end. Doomed takes these sonic signatures and drowns them in dirt, melodic fragments adrift in a sea of gravelly percussive detritus that builds a strong groove over its 7 minute runtime. Finally Mix Mup pulls another stunner out of the bag on beautiful beatless closer Bungalow, an ethereal piece that evokes pure wonder through a patient series of reverbed blips and deep synth washes. The finale hints at untold dimensions of Mix Mup’s sound that are just as promising as what we’ve heard so far, making his future productions an exciting prospect indeed. As a whole, After The Job is a lesson on the perfectly-crafted EP: thrilling and disorientating, always catching the listener off-guard while never sacrificing the groove.

8/10