March Roundup

Here's White Noise's pick of the month's best tracks. Going from the biggest numbers through house, techno, and then the stranger corners of the dance spectrum, March was great and here are some highlights in our handy Youtube playlist.

Enjoy!

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Tracklist:

Tessela - Hackney Parrot [EP Review]

Headless Ghost - Basik Fire [EP Review]

Breach - Jack [EP Review]

DEVolution - Listen To The Badman

Dusky - Dummy [EP Review]

Dark Sky - Confunktion [EP Review]

Four Tet - For These Times [LP Review]

Mørbeck - Pleasure To Burn

Florian Kupfer - Feelin

Anthony Naples - Busy Signal

Martyn - Oceania [EP Review]

DjRum - Blue On Blue (Voodoo) [LP Review]

Romare - Your Love (You Give Me Fever) [EP Review]

DJ Rashad - Let It Go [EP Review]

Deadboy - Nova [EP Review]

Shlohmo - Later [EP Review]

Bicep & Ejeca - You (Ejeca's Piano Mix)

And the one we couldn't find on Youtube, Divvorce's excellent new EP on up-and-coming NY label Fifth Wall:

Dusky – Nobody Else

Label: Aus

UK duo Dusky continue their rapid rise to the top with a fresh EP on Will Saul’s Aus imprint, following a series of increasingly tough-edged jackers on School, (Aus sister-imprint) Simple, Anjunadeep and Dogmatik. The pair have so far excelled due to their deft skill attaching catchy melodies and vocals to dark house rollers, peppering their productions with elements of bass and garage where necessary. Their latest is no different, offering another tasty selection of top-notch body music which, while it doesn’t depart from their established sound,  is sure to dominate the ‘floors over the coming months.

The pair kick off proceedings with one of their most anthemic tunes to date in the form of title cut Nobody Else. A classic diva vocal loop and canny strings add a grandeur to the no-nonsense bassline (which ranks among the duo’s finest since Flo Jam). Second cut What I Never Knew takes things deeper, resurrecting their Calling Me EP’s penchant for reverb-drenched, pitched-down vocals and twinning them with their trademark stable of tough, techy beat patterns and moody atmospheric details.

While the first two cuts are undeniably precision-built for the groove, those looking for a little variation should turn to the EP’s B-side. Third cut Atone is a notable departure from the pair’s established sound, where wordless vocal clips and a swooping bass bounce intoxicatingly intertwine beneath a pots-n-pans drum loop. Dusky’s special knack for epic breakdowns remains intact, with an emotive female croon lightening proceedings before that nasty bass bounce comes back with a vengeance. Final cut Dummy is also sure to garner attention, an unstoppable stomper where a cheeky bouncing bassline, sure to kill in the club, is all that’s needed to make for a killer close.

Nobody Else is another faultless selection of club-killers from Dusky, but considering the rate that they put them out and the general lack of variation in their sonic palette, one can’t help but feel that their releases are beginning to feel a little functional. The tunes are fun and undeniably effective, but let’s hope that before the duo churn out their next release they give some thought to changing up their game and putting those polished skills to the test with some new sounds.

7/10

Best Tracks of 2012: 50 – 26

Year End Coverage

* Best Albums of 2012

* Best EPs of 2012

* Best Labels of 2012

* Best Breakthrough Artists of 2012

* Best Tracks of 2012 - 101-76
* Best Tracks of 2012 - 75-51
* Best Tracks of 2012 - 50-26
* Best Tracks of 2012 - 25-1

Follow White Noise on Facebook and Twitter!

Here goes part 3 of our 4-part collection of the year's very best tracks. Enjoy! 

50 – Loops Of Your Heart – Cries

Stunning slow-burn synthwork from Axel Willner, the brain behind The Field. Ambient at its patient and emotive best.

49 – Illum Sphere – h808er

Unhinged acid trip from one of the big names to watch for 2013. Starts out as fresh analogue 303 jam before dissipating into a lush acoustic instrumental.

48 – Benjamin Damage & Doc Daneeka – No One feat. Abigail Wyles

The opener to the UK duo’s album They!Live was one of the most addictive, atmospheric cuts we heard all year. Superb moody synthwork and a nagging vocal lead into a tough House workout that we had on heavy rotation. Album Review.

47 – Breach – You Won’t Find Love Again

Ben Westbeech was back with a vengeance this year, releasing a great collab single with Midland and this, one of the most propulsive slices of House to grace club speakers over the summer. One of those cuts that’s sure to get any party moving.

46 – Special Request – Lolita (Warehouse Mix)

Rough and ready Techno workout that takes its time to get going, and that venomous synth burn before the drop is all the better for the wait.

45 – Storm Queen – Look Right Through (MK’s Don’t Talk To Me Dub)

Let’s Make Mistakes was great, but our favourite Storm Queen (aka Metro Area legend Morgan Geist) tune of the year was this MK remix, which revamped the classic to monstrous proportions. An example of MK at his very best: stylish vocal work and (two different) enormous bouncing basslines.

44 – Romare – Down The Line (It Takes A Number)

The man who capped off our Best EPs list did no better than the slow-mo Hip Hop crunch of this tune. A dangerous bassline underpins sharp finger clicks, classy vocal sampling and a phenomenal jazz-inflected drop. Cross-genre, cross-cultural, damn good music.

43 – Recondite – Tie In

Patient and meditative acid groove from a true original.

42 – Duke Dumont – The Giver

This is one of those tracks that makes you sit up and take notice from the first note. A guaranteed dancefloor weapon, and one of the catchiest dance tracks we heard all year. Just massive.

41 – Kahn & Neek – Backchat

Typical Dub-inspired weirdness from Kahn’s corner. A dangerous grime riddim featuring robo-Reggae vocals and sharp beats.

40 – Geeeman – Bang’t

Second entry on the list for Gerd, because he can do no wrong when it comes to House. Super-simple tune that pairs a nagging pitchbent bassline and punchy beats with an understated vocal. Dancefloor dynamite (and mixes with everything).

39 – Midland & Pariah – Untitled 2

Dirty analogue Techno roller that stole the show at loads of London clubs this summer.

38 – Capracara – Ronin

Everyone who’s trying to emulate the 90s House sound, give up now. Capracara perfected the sound with the flawless Ronin, where outrageously huge beats duel with slick synthwork and a pitch-perfect vocal line.

37 – Dusky – Flo Jam

It was hard to pick just one Dusky track to go on the list, but Flo Jam’s distinctive 3-note bassline had to take the prize. Goes to show that House can still blow everything else out of the water when it’s done right.

36 – Krystal Klear – From The Start

Utterly intoxicating bassy House number from the king of disco. After an unbelievable build-up, this one drops into a ferocious slice of choppy piano House.

35 – Lianne La Havas – Forget (Shlohmo Remix)

The second La Havas remix in our roundup is Shlohmo’s stellar vocal work on his remix of Forget. Deep atmospherics make this one totally unforgettable. Massive vibes. Free Download.

34 – Omar S feat. L’Renee – SEX (CGP Remix)

Omar S is pretty big, but I’ve never heard any of his tunes played out as much in the clubs as this one. Downright dirty vocals and chilled House vibes make this one suit almost any occasion.

33 – Jacques Greene – Prism

One of the scene’s most consistent producers, Canadian Greene went darker on his Ready EP. Its biggest tune featured a bouncing 4/4 and lush synthwork. EP Review.

32 – Voyeur – Blame It On The Youth (Kerri Chandler Remix)

Apparently House legend Chandler loved this one so much that he insisted on both releasing and remixing it. You can see why,  Chandler’s moody rework takes its time with a warm atmosphere and fresh guitar and piano samples.

31 – HNNY – For The Very First Time

Easily one of our most played EPs of the year, HNNY’s stellar debut solo outing on Local Talk was a great night out in a single song. Irresistible synthwork and vocals with big, tasty beats.

30 – Trevor Deep Jr – Keep On!

Another one of our most played tunes this year, Trevor Deep Jr’s impossibly deep Keep On! Crazy atmospheric House workout with classic-style vocals and impeccable production.

29 – John Talabot – So Will Be Now… feat. Pional

The highlight of Talabot’s great Fin album was this bouncy closing tune. The looped vocal is the icing on the cake of a bouncing bassline and moody finger clicks.

28 – ItaloJohnson – B1 Untitled

Dusty House jam from the anonymous European group. Simple and effective, this one proved unstoppable on the summer festival circuit.

27 – Trimbal – Confidence Boost (Harmonimix)

James Blake and Trim’s brilliantly weird collaboration finally saw release this year, and it was just as good as we remembered it. Trim’s raw vocals and Blake’s idiosyncratic production are a match made in heaven. Those deep chords and chipmunked vocals make this one of the year’s essential tunes.

26 – Leon Vynehall – Gold Language

Vynehall’s sophisticated lofi House jam was an unexpected winner for us at White Noise, with gliding piano chords and footwork-style percussion making for an intriguing package. EP Review.

Tune in tomorrow for the final list!

Best Breakthrough Artists of 2012

Year End Coverage

* Best Albums of 2012

* Best EPs of 2012

* Best Labels of 2012

* Best Breakthrough Artists of 2012

* Best Tracks of 2012 - 101-76
* Best Tracks of 2012 - 75-51
* Best Tracks of 2012 - 50-26
* Best Tracks of 2012 - 25-1

Follow White Noise on Facebook and Twitter!

It gets harder every year for new artists to rise up and gain prominence through the fickle hype machine of the internet, in a world where every other Soundcloud user is an anonymous figure copying tired genre tropes. But it's clearer than ever that the one thing that will really get you noticed is quality tunes.

Not all of these are new artists, but for all of these producers this was the year where they truly broke into the limelight, capturing our hearts and imaginations here at White Noise. Because these artists have such diverse tastes and sounds, they will be listed alphabetically to save having to place them in a meaningless order. Without further ado, here are our favourite breakthrough artists of the year. Enjoy!

Bicep

 

Vision of Love

90’s house revivalism reached its peak (so far…) this year, but Northern Irish duo Bicep’s astonishing rise to prominence in the dance scene this year was more than a case of being in the right place at the right time. Coming from the success of their Feel My Bicep blog, the pair put out the excellent $tripper white label on Love Fever, where deep New Jersey pads and a jackin’ beat put the pair firmly on the map. They continued the thread in style with the inaugural release on their own Feel My Bicep label, Vision of Love, which offered three massive slices of feelgood throwback, and spawned the ubiquitous title track. But let’s not forget the duo proved themselves a cut above a simple throwback outfit with the superb You / Don’t EP on Aus, which offered two strikingly modern collaborations that explored more contemporary strains of the UK House sound.

Bondax

Baby I Got That

Young UK duo Bondax came to our attention at the beginning of the year with sugar-sweet bass numbers All Inside and Wet Summer. But it was their September release Baby I Got That which cemented the pair’s talents, an infectious bass / disco hybrid that was one of the year’s essential summer tunes. With a perfect synthesis of clipped vocal snips with longer hooks and bubbling, upbeat melodies, the pair have so far managed to conjure catchy tunes without ever venturing into total Pop territory. With the upcoming release of Gold on Just Us / Relentless in January, it looks like there’s a lot more to be excited about for Bondax in 2013.

Disclosure

 

Flow

Guy and Howard Lawrence couldn’t have possibly predicted the rise to fame that their Disclosure outfit has brought them in the space of a single year. Fusing garage and classic house tropes with bass trappings and more than a touch of pop, the duo’s productions have achieved a crossover success that’s perhaps not that surprising given the sheer quality of their tunes. While Latch and some of their Face EP were a little poppy for White Noise’s tastes, there was no arguing with their Jessie Ware Remix or the brilliant Tenderly / Flow single from the beginning of the year.

Dusky

Flo Jam

The Dusky duo of Alfie Granger-Howell and Nick Harriman have been producing together for years now, including an album as Dusky on Anjunadeep in 2011. But this year, thanks to some killer tunes and being played by the right DJs, the pair have broken into the big leagues. Dusky produced more bangers than almost anyone else this year, including the emotive epic Lost Highway, Flo Jam’s irresistible bounce and the bassy garage swing of No More. The pair pluck equally from house and garage but the end product is always polished and unpretentious, precision-built for the dancefloor. With their great new release Calling Me on Loefah's School imprint, there are surely big things to come.

Huxley

 

Let It Go

Huxley scored a high place on our Top Tunes of 2011 with the fantastic Shower Scene, but this year the house magician from Tring showed his true colours, prolifically putting out a series of unashamed big-room house numbers, with the sharp beats and big basslines to match those fantastic vocal hooks. He opened up the year with the ridiculously large Let It Go and didn’t let up, with an onslaught of other great tunes like Box Clever on the Out Of The Box EP.  With clear production chops and the consistency to match, Huxley nimbly stepped into the big leagues this year, and he doesn't look like he'll be leaving anytime soon.

Indigo

Symbol 7.1

The Mindset boss put out his first release back in 2008, but this year has really marked a breakthrough for Indigo. With a history of tasty collaborations with like-minded producer Synkro, Indigo put out a series of stellar releases for Exit, Hype Ltd and Apollo that showed a unique talent for combining twitchy beatscience with lush ambient soundscapes. Nowhere was this more evident than on his White Noise Picked Symbol 7 EP for Auxiliary, where the producer hopped nimbly between Oriental strings, impeccably precise drum patterns and pure ambient dread.

Leon Vynehall

Picture Frame

Brighton’s Vynehall turned quite a few heads recently, shining out amongst the legions of upstarts who were toying with the House formula. His debut EP, Mauve on Well Rounded, set the scene with warm soundscapes and slow beats that referenced classic House without ever seeming like pure throwback. But it was over the summer on his superb single Gold Language / Don’t Know Why for ManMakeMusic that Vynehall showed his true colours, producing a lush and genre-defying dance track on the A and one of this year’s most supremely chilled dance cuts on the B. With a return to WRHP due in the new year with the Rosalind EP, the future is looking very promising.

South London Ordnance

Trojan

Appearing out of nowhere, SLO has had a monumental first year. A prolific release schedule didn’t stop every tune from being of the highest quality, releasing big House numbers on Well Rounded and deeper Bass numbers for the likes of Teal Recordings. Wherever he turned, SLO’s productions all paid careful attention to the lower frequencies, with a keen bass-focus adding flavour to his elastic rhythms. Some slave for years on a single tune, in 2012 SLO was making superb music straight out of the box.

Tom Demac

Critical Distance Pt. 2

Although his debut was as far back as 2004, Tom Demac turned it up a notch in 2012. The producer put out an insane amount of releases this year, often on Hypercolour or its offshoots. He proved himself a versatile House producer, with highlights ranging from the lush Obstructing the Light EP on Glass Table to the monstrous Critical Distance Pt. 2, which was considered at White Noise HQ one of the year’s very best tunes.

Vessel

Court of Lions

As the only producer on this list who isn’t dedicated to the dancefloor, Vessel stands out about as much on this list as he did from his peers over the course of the year. White Noise has taken an interest in Sebastian Gainsborough since the beginning, but it appears the Wax Dance and Standard EPs were paving the way for something very special indeed. The producer’s debut album for Tri Angle, Order of Noise, touched a nerve for us, as Vessel experimented with an embarrassment of styles to stellar effect.

Honourable Mentions:

These artists are definitely ones to watch for 2013, but didn’t quite release enough quality material to make the list this time round.

Citizen

 

Room Service

GoldFFinch

Funky Steppa

Happa

Freak

Helix

Honig

Locked Groove

Rooted

Lorca

Can’t See Higher